n’t working.</p></blockquote>\n<p>Mullenweg <a href=\"https://wordpress.slack.com/archives/core-restapi/p1454630772001445\" target=\"_blank\">mentioned the same car analogy</a> during the meeting last week. In response to a commenter who asked for more clarification on how the analogy applies to the REST API, Mullenweg said the following:</p>\n<blockquote><p>If you want a good heuristic to use generally: there were decades of cars, millions of vehicles and drivers, before they had air conditioning. The core value proposition of a car is transportation, AC just helps you get there more comfortably. You didn’t need a car to get AC, you could have it in your house. AC might cause you to chose one car over another, but you probably wouldn’t walk or ride a horse if the car didn’t have AC, you’d just roll down the windows.</p></blockquote>\n<p>This begs the question, what constitutes wheels? Contributors to this discussion are divided on whether or not the existing endpoints are ready to be merged into core. The WP REST API team members, many of whom are already successfully using the API in production, believe that the endpoints are ready now. The current state of the API offers the ability to get content in and out of WordPress, opening it up for easier communication with other platforms, which many believe is the primary use case.</p>\n<p>Mullenweg and others who joined the discussion last week are in favor of delivering something more complete, a REST API that supports everything available in wp-admin. This includes WordPress&#8217; many site management features and would put the API several releases away from core readiness.</p>\n<p>In a <a href=\"http://wptavern.com/wp-rest-api-delayed-contributors-facing-gridlock#comment-142834\" target=\"_blank\">comment</a> on our initial report, Drew Jaynes advocated what he believes to be a middle ground that provides a solid jumping-off point. This would involve resolving the missing pieces in the existing endpoints before merging them (items like password-protected posts, autosaves and post previews, and meta.)</p>\n<p>&#8220;As I and others from the contributor/committer camp said in the chat, there can be a middle ground,&#8221; he said. &#8220;Whether that ends up looking like the four core endpoints alone, four core endpoints with some flavor, XML-RPC parity, or some measure of wp-admin parity, remains to be seen,&#8221; he said.</p>\n<p>In a post titled &#8220;<a href=\"http://journal.rmccue.io/340/progressive-enhancement-with-the-wordpress-rest-api/\" target=\"_blank\">Progressive Enhancement with the WordPress REST API</a>,&#8221; Ryan McCue outlined a full-on iterative approach that would push for distribution now and roll out more endpoints in future releases:</p>\n<blockquote><p>Progressive enhancement is our key solution to a couple of related problems: forward-compatibility with future features and versions of WordPress, and robust handling of data types in WordPress. Progressive enhancement also unblocks the REST API project and ensures there’s no need to wait until the REST API has parity with every feature of the WordPress admin.</p></blockquote>\n<p>McCue&#8217;s post goes into further detail of the REST API&#8217;s feature detection capabilities, which allow developers to easily detect support for features and build them in a forwards-compatible way while waiting for core support.</p>\n<h3>Is Distribution the Answer?</h3>\n<p>During last week&#8217;s meeting McCue <a href=\"https://wordpress.slack.com/archives/core-restapi/p1454633021001594\" target=\"_blank\">said</a> that continuing the project&#8217;s development as a feature plugin will do more harm than good. If the REST API is not allowed to ship without offering support for everything in wp-admin, the team would be forced to continue iterating on it as a feature plugin while simultaneously resolving difficult roadblocks in WordPress core. With just four major contributors operating at less than part time on the project, this requirement could stall the WP REST API indefinitely.</p>\n<p>&#8220;We believe that the progressive enhancement approach is the best approach for continuing API development,&#8221; McCue said. &#8220;Progressive enhancement is a paradigm the REST API project ​must​ adopt, if it’s an API we want to add to (without breaking backwards compatibility) over the next 10 years.&#8221;</p>\n<p>Mullenweg, who has led an iterative approach to development throughout WordPress&#8217; history, is wary of latching onto distribution as the only way forward.</p>\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\"><a href=\"https://twitter.com/Krogsgard\">@Krogsgard</a> No one is against iteration. It\'s: iterate in plugin with low stakes, or iterate in core, shipping to tens of millions of sites?</p>\n<p>&mdash; Matt Mullenweg (@photomatt) <a href=\"https://twitter.com/photomatt/status/696765965334290432\">February 8, 2016</a></p></blockquote>\n<p></p>\n<p>The larger WordPress&#8217; usage becomes, the louder its footsteps are heard. Iterating on the REST API in core, with distribution to millions of sites, may affect the web in ways contributors cannot yet anticipate. As they say, heavy is the head that wears the crown. The ripples extend beyond WordPress sites to the outside platforms that will also consume the API.</p>\n<p>Contributors are still discussing the nuances of iterative development in core vs. delivering a more complete API. Meanwhile, adoption is stilted by the uncertainty surrounding the project and the fact that it still carries a plugin dependency. It&#8217;s not yet clear whether WordPress contributors will dig in and push for inclusion of the endpoints against Mullenweg&#8217;s recommendation or whether they will opt to spend more time polishing the existing endpoints. If the WP REST API team is required to ensure that the API can support a wp-admin replacement, it may not land in core until the end of this year or later.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 08 Feb 2016 22:06:37 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:47;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:79:\"WPTavern: WordPress.org Has Fewer Than 20 Plugins Using the WP REST API in Core\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=51234\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:84:\"http://wptavern.com/wordpress-org-has-fewer-than-20-plugins-using-the-wp-rest-api-v2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6523:\"<a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2014/12/plugin.jpg\" rel=\"attachment wp-att-34902\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2014/12/plugin.jpg?resize=1024%2C485\" alt=\"Plugin Recommendations Featured Image\" class=\"size-full wp-image-34902\" /></a>photo credit: <a href=\"https://www.flickr.com/photos/electrospray/164932344/\">when i was a bird</a> &#8211; <a href=\"http://creativecommons.org/licenses/by-nc-nd/2.0/\">cc</a>\n<p>During <a href=\"http://wptavern.com/wp-rest-api-delayed-contributors-facing-gridlock\" target=\"_blank\">yesterday&#8217;s pivotal WP REST API meeting</a>, WordPress contributors discussed adoption of the API. A cursory search of the WordPress.org plugin directory shows that fewer than two dozen plugins are currently using the API scaffolding included in WordPress 4.4. For reference, here are the 20 plugins identified by Mika Epstein during the meeting, along with active installation numbers for each:</p>\n<ul>\n<li><a href=\"https://wordpress.org/plugins/acf-to-rest-api/\" target=\"_blank\">ACF to REST API</a> &#8211; 200+</li>\n<li><a href=\"https://wordpress.org/plugins/acf-to-wp-api/\" target=\"_blank\">ACF to WP-API</a> &#8211; 1,000+</li>\n<li><a href=\"https://wordpress.org/plugins/acf-to-wp-rest-api/\" target=\"_blank\">ACF to WP REST API</a> &#8211; 300+</li>\n<li><a href=\"https://wordpress.org/plugins/custom-contact-forms/\" target=\"_blank\">Custom Contact Forms</a> &#8211; 70,000+</li>\n<li><a href=\"https://wordpress.org/plugins/dashboard-directory-size/\" target=\"_blank\">Dashboard Directory Size</a> &#8211; 100+</li>\n<li><a href=\"https://wordpress.org/plugins/invitations-for-slack/\" target=\"_blank\">Invitations for Slack</a> &#8211; less than 10</li>\n<li><a href=\"https://wordpress.org/plugins/jwt-authentication-for-wp-rest-api/\" target=\"_blank\">JWT Authentication for WP REST API</a> &#8211; 100+</li>\n<li>oEmbed API &#8211; no longer available as of 2/5/2016</li>\n<li><a href=\"https://wordpress.org/plugins/prayers/\" target=\"_blank\">Prayers</a> &#8211; less than 10</li>\n<li><a href=\"https://wordpress.org/plugins/rest-api/\" target=\"_blank\">WP REST API</a> &#8211; 9,000+</li>\n<li><a href=\"https://wordpress.org/plugins/rest-json/\" target=\"_blank\">REST JSON</a> &#8211; less than 10</li>\n<li><a href=\"https://wordpress.org/plugins/rest-routes/\" target=\"_blank\">REST Routes</a> &#8211; less than 10</li>\n<li><a href=\"https://wordpress.org/plugins/searchwp-api/\" target=\"_blank\">SearchWP API</a> &#8211; 20+</li>\n<li><a href=\"https://wordpress.org/plugins/store-locator-le/\" target=\"_blank\">Maps by Storelocator Plus</a> &#8211; 10,000+</li>\n<li><a href=\"https://wordpress.org/plugins/tabulate/\" target=\"_blank\">Tabulate</a> &#8211; 100+</li>\n<li><a href=\"https://wordpress.org/plugins/wp-api-categoriestags/\" target=\"_blank\">WP API Categories + Tags</a> &#8211; 10+</li>\n<li><a href=\"https://wordpress.org/plugins/wp-api-menus/\" target=\"_blank\">WP API Menus</a> &#8211; 700+</li>\n<li><a href=\"https://wordpress.org/plugins/wp-rest-api-log/\" target=\"_blank\">WP REST API Log</a> &#8211; 100+</li>\n<li><a href=\"https://wordpress.org/plugins/wp-rest-api-sidebars/\" target=\"_blank\">WP REST API Sidebars</a> &#8211; less than 10</li>\n<li><a href=\"https://wordpress.org/plugins/wprestapiextensions/\" target=\"_blank\">WPRestApiExtensions</a> &#8211; less than 10</li>\n</ul>\n<p>With a few notable exceptions, most of these plugins are hovering around a range of 10 &#8211; 100 active installs. These low numbers may indicate that plugin authors have not yet readily embraced building with the scaffolding that was merged into core in 4.4. However, some developers who have embraced building with the API have opted not to offer their plugins and themes for large scale distribution on WordPress.org.</p>\n<p>&#8220;I think the plugin directory is the wrong place to look for adoption,&#8221; WordPress developer <a href=\"https://twitter.com/natewr\" target=\"_blank\">Nate Wright</a> said at the most recent meeting. &#8220;As a plugin author myself, I have to bend over backwards to ensure compatibility with tens of thousands of weird plugins and themes. Javascript itself is highly unstable in the ecosystem because of all the terrible code out there. I&#8217;ve used the API in client projects and am currently integrating it with some customizer tools I&#8217;m building. My publicly available plugins will be the last thing I&#8217;ll introduce to the API.&#8221;</p>\n<p>Taylor Lovett, author of <a href=\"http://wptavern.com/custom-contact-forms-plugin-passes-1-million-downloads-on-wordpress-org\" target=\"_blank\">Custom Contact Forms</a>, believes that it&#8217;s important to get REST API-powered plugins into the hands of users, despite the support challenges of public distribution.</p>\n<p>&#8220;It pushes plugin and theme developers to start working around API JavaScript conflicts now,&#8221; Lovett said. &#8220;There are many plugins that conflict with the API for a variety of reasons, one of the big ones being modifying Backbone.sync. Having plugins use it now is painful but will push people to start reporting those JS conflicts.&#8221;</p>\n<p>Custom Contact Forms is currently the most widely-used plugin running the WP REST API with more than 70,000 installations, but the journey to using the current version has been fraught with challenges.</p>\n<p>&#8220;There have been a number of backwards compatibility breaks with the JSON REST API project,&#8221; Lovett said. &#8220;If I had known going into it what would happen, I probably would have not used the API.</p>\n<p>&#8220;I am still not completely comfortable with using the API because of the perceived instability of the project,&#8221; he said.&#8221;</p>\n<p>Nevertheless, public distribution has brought Lovett considerable feedback from users which has been invaluable for his contributions to the REST API project.</p>\n<p>&#8220;I’ve had a number of patches to the API that were discovered through Custom Contact Forms,&#8221; he said. &#8220;I’ve discovered some real edge cases while maintaining the API across more than 70K installations.&#8221;</p>\n<p>Distributing his plugin on WordPress.org while the API went through significant changes was more challenging than Lovett anticipated, but through it the API has gained more exposure.</p>\n<p>&#8220;The faster the API is exposed to people and people get comfortable using it, the sooner we will see some major strides in applications being built around WordPress,&#8221; he said.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 05 Feb 2016 23:06:20 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:48;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"Matt: Chicken and Eggs\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46021\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"https://ma.tt/2016/02/chicken-and-eggs/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5798:\"<p><img class=\"alignright  wp-image-46028\" src=\"http://i2.wp.com/ma.tt/files/2016/02/mometablues.jpeg?resize=245%2C376\" alt=\"mometablues.jpeg\" />I&#8217;ve been reading <a href=\"http://www.amazon.com/dp/1455501352/\">Questlove&#8217;s <em>Mo&#8217; Meta Blues</em></a>, and it’s an incredible education. The book is helping me appreciate an era of music that inspired the era that inspires me &#8212; the music that drove the Roots, J Dilla, Fugees, D’Angelo, Common, Erykah Badu, Kendrick Lamar, and so many more to create what they have.</p>\n<p>Chronologically, I’m in a chapter covering mid-90s hip-hop, which is full of conflict. There’s a tension alluded to in the book of the musicians that made it and those that didn’t: does increased radio play make songs popular? <a href=\"https://aeon.co/essays/why-repetition-can-turn-almost-anything-into-music\">There&#8217;s some science that suggests yes</a>. Or is there something intrinsic to the record that puts it in that virtous loop of requests and airplay, the equivalent of usage and virality in a web product?</p>\n<p>There&#8217;s a great ancedote in the book that I think is useful when thinking about products. All of the links are my addition, not in the original text.</p>\n<blockquote><p>There was one moment during the recording of <a href=\"https://open.spotify.com/album/1ecv8bJajqX9E0EOX2g3eI\"><em>Voodoo</em></a> that really brought this home. We were recording <a href=\"https://open.spotify.com/artist/6GEykX11lQqp92UVOQQCC7\">DJ Premier&#8217;s</a> scratches for &#8220;<a href=\"https://open.spotify.com/track/3dOzhSPnBrRIcPyDUAqQYd\">Devil&#8217;s Pie</a>,&#8221; and <a href=\"https://open.spotify.com/artist/3ZotbHeyVQKxQCPDJuQ4SU\">Q-Tip</a> had just let the room to go work on something else, so there were four of us left there: Premier, <a href=\"https://open.spotify.com/artist/0IVcLMMbm05VIjnzPkGCyp\">Dilla</a>, <a href=\"https://open.spotify.com/artist/336vr2M3Va0FjyvB55lJEd\">D&#8217;Angelo</a>, and myself. During the break, Premier asked if anyone had any new shit to play for the group, and D&#8217;Angelo went for a cassette and played a bit of a new song, and the whole room just erupted in hooting. Then Dilla put on some new <a href=\"https://open.spotify.com/artist/1020a42xVklY6c56imNcaa\">Slum Village</a> shit and it was the same thing: an explosion of excitement. Then Premier, who had started the whole thing, played an <a href=\"https://open.spotify.com/artist/1BH45DVSTeGBvcYXNCd67g\">M.O.P.</a> song and some new <a href=\"https://open.spotify.com/artist/5cMgGlA1xGyeAB2ctYlRdZ\">Gang Starr</a> material that he was working on for <a href=\"https://open.spotify.com/album/6U2LlflINhafc0e9vhs0lp\"><em>The Ownerz</em></a>.</p>\n<p>I was last at bat. All I had on me was a work tape for what would eventually become &#8220;<a href=\"https://open.spotify.com/track/7frJEBqz0olVg8sQpXD5BF\">Double Trouble</a>&#8221; on <a href=\"https://open.spotify.com/album/0qbl8aNaCUOvX8HGsZYLfh\"><em>Things Fall Apart</em></a>. It didn&#8217;t have finished vocals yet, didn&#8217;t have <a href=\"https://open.spotify.com/artist/0Mz5XE0kb1GBnbLQm2VbcO\">Mos Def&#8217;s</a> verse. It was just a skeleton. I played it, and I will never forget the feeling that came over the room, including me. It wasn&#8217;t that they didn&#8217;t hoot and holler like they had for the other songs. They did. But they didn&#8217;t mean it. I know the move people resort to when they&#8217;re not quite into a song: they keep a straight stare on their face and bob their head a bit, not saying anything, not making eye contact. That&#8217;s the sign of death. That&#8217;s what they all did to me, and I felt humiliated. I was like Glenn Close in <em>Fatal Attraction</em>: <a href=\"https://www.youtube.com/watch?v=wzbVn9Xx3YM\">I will not be ignored</a>! I went back into the studio that same night and gave that song a radical, extended facelift. I refused to sleep until I had that thing up and running.</p></blockquote>\n<p>I love the idea of Questlove realizing the song was missing something, and going back to the booth to keep working on it until it resonated with his target audience. A song that doesn’t stand up on its own wouldn’t be any better when bundled as part of an album. (Or Samsung would have the most popular apps on Android.) Fans hear the care and quality of each track, and they become super-fans. The bands that break out weren’t bludgeoned into fan’s ears by radio play, they were pulled by these passionate few into a wider audience.</p>\n<p>I love the mixtape culture that so many of today&#8217;s successful artists have come up through, and it is amplified online. <a href=\"https://en.wikipedia.org/wiki/Drake_discography#Mixtapes\">Drake had three ever-improving mixtapes before his first album</a>. It harkens to a line from PG&#8217;s startup canon (in 2009!): <a href=\"http://paulgraham.com/13sentences.html\">Better to make a few users love you than a lot ambivalent</a>.</p>\n<p>There&#8217;s this tension in everything we produce. Where&#8217;s the line to tread between <a href=\"https://ma.tt/2010/11/one-point-oh/\">1.0 is the loneliest</a> and a <a href=\"http://theleanstartup.com/principles\">minimum viable product</a>? Or is it about <a href=\"http://www.huffingtonpost.com/brian-de-haaff/how-to-create-the-minimum_b_7652844.html\">a minimum lovable product</a>? Are we building a car with no air conditioning or a car with no wheels?</p>\n<p><img class=\"alignnone size-full wp-image-46059\" src=\"http://i1.wp.com/ma.tt/files/2016/02/minimal-viable-product-henrik-kniberg.png?resize=604%2C389\" alt=\"minimal-viable-product-henrik-kniberg.png\" /></p>\n<p>“Pivot” has become passé, but it’s much worse to assume that distribution will solve something core to your product that isn’t working.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 05 Feb 2016 22:42:20 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:49;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:61:\"Post Status: WordPress REST API Round-table — Draft podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"https://poststatus.com/?p=20699\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://poststatus.com/wordpress-rest-api-round-table-draft-podcast/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1399:\"<p>Welcome to the Post Status <a href=\"https://poststatus.com/category/draft\">Draft podcast</a>, which you can find <a href=\"https://itunes.apple.com/us/podcast/post-status-draft-wordpress/id976403008\">on iTunes</a>, <a href=\"http://www.stitcher.com/podcast/krogsgard/post-status-draft-wordpress-podcast\">Stitcher</a>, and <a href=\"http://simplecast.fm/podcasts/1061/rss\">via RSS</a> for your favorite podcatcher. Post Status Draft is hosted by Joe Hoyle &#8212; the CTO of Human Made &#8212; and Brian Krogsgard.</p>\n<p>Joe and Brian were joined by Ryan McCue, the Lead Developer of the REST API, Daniel Bachhuber, a contributing developer to the REST API, and K.Adam White, Aaron Jorbin, and Jack Lenox — each with unique experiences using the REST API. 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-- --------------------------------------------------------

--
-- Table structure for table `wp_postmeta`
--

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(520, 1, '2016-02-27 13:44:07', '2016-02-27 18:44:07', '[vc_row][vc_column width=\"1/1\"][vc_custom_heading text=\"Art for the Curious and the Brave\" font_container=\"tag:h2|text_align:left\" google_fonts=\"font_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\"][vc_separator color=\"grey\" style=\"double\"][vc_column_text]I am always happy to hear from you, answer questions, provide samples or references.[/vc_column_text][/vc_column][/vc_row][vc_row type=\"boxed\" gmbt_prlx_bg_type=\"parallax\" gmbt_prlx_parallax=\"none\" gmbt_prlx_speed=\"0.3\" gmbt_prlx_break_parents=\"0\" gmbt_prlx_row_span=\"0\"][vc_column width=\"1/2\"][contact-form-7 id=\"498\" title=\"Contact form 1\"][/vc_column][vc_column width=\"1/2\"][vc_column_text el_class=\"contact-address\"]\r\n<ul>\r\n	<li>210 1st Ave. #20, NY NY 10009, United States</li>\r\n	<li>Email: james@jamescarman.net</li>\r\n	<li>Office: +1 (212) 533-8806</li>\r\n	<li>Cell: +1 (917) 208-8806</li>\r\n</ul>\r\n[/vc_column_text][guu_social_icons_grid social_icon_color=\"#dddddd\" social_icon_size=\"25\"][/vc_column][/vc_row]', 'Contact', '', 'inherit', 'closed', 'closed', '', '91-revision-v1', '', '', '2016-02-27 13:44:07', '2016-02-27 18:44:07', '', 91, 'http://jamescarman.website/2016/02/27/91-revision-v1/', 0, 'revision', '', 0),
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(522, 1, '2016-02-27 13:48:09', '2016-02-27 18:48:09', 'James can be hired as a Creative Producer, Director and/or a Director of Photography.\r\n\r\n&nbsp;\r\n\r\n<strong>Services:</strong>\r\n\r\nHire a <strong>Creative Producer:</strong>\r\n\r\nJames can be tasked with originating an original concept or fleshing out an existing idea.\r\n<ol>\r\n	<li>He can write a one page concept sheet, a treatment, a voice over or a script.</li>\r\n	<li>He can also pull together all the diverse elements a project needs like: Crew, casting, locations, and equipment.</li>\r\n	<li>He can oversee the preproduction, production and post production aspects of a project.</li>\r\n	<li>He can make deals with rental,  post houses and distributors.</li>\r\n</ol>\r\n\r\n<hr />\r\n\r\nHis last film, <strong>The Hidden Hand; Alien Contact and the Government Cover-Up</strong>, (which he produced, directed and shot) won 5 awards and is a best selling documentary on Netflix and Amazon Prime. It has international distribution.\r\n\r\nAs a <strong>Director</strong>,\r\n<ol>\r\n	<li>James can write a script or edit your existing script.</li>\r\n	<li>He can cast, direct actors and stage the scenes for camera.</li>\r\n	<li style=\"text-align: left;\">He can give your film a distinct vision in terms of content, cohesiveness and artistic beauty.</li>\r\n</ol>\r\nAs a <strong>Director of Photography</strong>,\r\n<ol>\r\n	<li>Give your project a beautiful, stylish look.</li>\r\n	<li>Hire the technical crew and equipment needed for the shoot.</li>\r\n	<li>Break down the script into a shot list and help block the scenes.</li>\r\n	<li>Oversee the the film\'s color correction and finishing.</li>\r\n</ol>\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n\r\nJames has shot many features, documentaries and commercials. Five features of the director Bruce LaBruce were shown at the MOMA in April/May 2015. James has also had 3 other films shown at the MOMA. He has had his films shown at film festivals in Cannes, Berlin, Sundance, Toronto and Locarno.\r\n\r\n&nbsp;\r\n\r\nIf you would like to hire James or inquire about his services, then please contact him at:\r\n\r\nJames@TimeTravelerArts.com', 'Hire  James', '', 'inherit', 'closed', 'closed', '', '444-revision-v1', '', '', '2016-02-27 13:48:09', '2016-02-27 18:48:09', '', 444, 'http://jamescarman.website/2016/02/27/444-revision-v1/', 0, 'revision', '', 0),
(523, 1, '2016-02-27 13:49:47', '2016-02-27 18:49:47', '', 'James_Carman-Headshot-SQ-300x300', '', 'inherit', 'closed', 'closed', '', 'james_carman-headshot-sq-300x300', '', '', '2016-02-27 13:49:47', '2016-02-27 18:49:47', '', 130, 'http://jamescarman.website/wp-content/uploads/2015/03/James_Carman-Headshot-SQ-300x300.png', 0, 'attachment', 'image/png', 0),
(524, 1, '2016-02-27 13:50:12', '2016-02-27 18:50:12', '&nbsp;\r\n\r\n<img class=\"aligncenter size-full wp-image-523\" src=\"http://jamescarman.website/wp-content/uploads/2015/03/James_Carman-Headshot-SQ-300x300.png\" alt=\"James_Carman-Headshot-SQ-300x300\" width=\"300\" height=\"300\" />\r\n\r\nJames Carman is an accomplished New York based creative producer and director. He has also worked as a cinematographer and photographer since 1989.\r\n\r\n<strong>James is inspired by the worldly and otherworldly.</strong> <strong>He creates content that looks behind the veil of consensual reality, examining what most are ready to ignore. His art is for the curious and brave. It is for those who want humanity to evolve spiritually. </strong>\r\n\r\nHis feature length documentary, <a title=\"The Hidden Hand\" href=\"http://www.hiddenhandthemovie.com/\" target=\"_blank\"><strong>The Hidden Hand; Alien Contact and the Government Cover-up</strong></a>, has won 5 awards and is distributed internationally. It was on both Amazon Prime’s and Netflix’s best selling documentary lists for 3 weeks. On Netflix over 210,000 people have rated or commented on the film.\r\n\r\nJames has shot many features films that have been shown in festivals and theaters around the globe (Sundance, Cannes, Berlin, Toronto film festivals and the MOMA in New York). His short films have premiered at the Berlin Film Festival and at the Locarno Film Festival. James is a member of the Producer’s Guild and is currently producing a TV series, <a title=\"Super Concious\" href=\"http://SUPERCONSCIOUSTHEMOVIE.COM/\" target=\"_blank\"><strong>Superconscious</strong></a>. To experience James\' newest productions, sign up for his mailing list where you can receive his exclusive updates\r\n\r\n&nbsp;\r\n<h3 style=\"text-align: center;\">JAMES CARMAN’S RESUME</h3>\r\n<h3>2016</h3>\r\n<strong>Fluid</strong>Q: Dir. Shu Lea Cheang, DP for dystopian Sci-Fi Feature about addictive disease.\r\n\r\n&nbsp;\r\n<h3>2015</h3>\r\n<strong>MOMA</strong>: DP; Retrospective of Bruce La Bruce, 5 films screened in April and May.\r\n\r\n<strong>Williams Agency</strong>: Producer, DP; Commercial for 432 Park Pl. w/ <strong><em>Jean Novelle</em></strong>.\r\n\r\n<strong>Williams Agency</strong>: Producer, DP; Commercial for Steiner Film Studios.\r\n\r\n<strong>Williams Agency</strong>: Producer, Photog., DP; Commercial Sugar Beach Resort. St. Lucia.\r\n\r\n<strong>Williams Agency</strong>: Photographer; Four Seasons Hotel, Palm Beach, Fl.\r\n\r\n<strong>Hollywood and Vine, </strong>Director, Matt Jacobs; DP for a feature length comedy set in LA.\r\n\r\n<strong>MOMA</strong>; Five narrative films screened at the Museum of Modern Art for the Bruce LaBruce retrospective.\r\n\r\n<b>Soho Properties</b>; Commercial for a luxury high-rise tower at Park 51. Director, Chez Costanzo; DP, James Carman\r\n\r\n<strong>Thomson Reuters</strong>: 2001-2015, lighting designer, cameraman, and editor.\r\n\r\n<strong>The United Nations</strong>: 2013-2015, lighting designer<strong>, </strong>technical director<strong>, </strong>and cameraman.\r\n\r\n<strong>Dust</strong>: Director, Gladys Triana; Producer/DP, James Carman. A video art piece for El Museo del Barrio in New York City.\r\n\r\n&nbsp;\r\n<h3>2014</h3>\r\n<strong>Simple Recipes for Joy and Tribe Gathering</strong>: Producer/Director, James Carman. A book premiere and theatrical performance with <strong><em>Sting</em></strong><em>, <strong>Sharon Gannon</strong></em> and <strong><em>Krishna Das</em></strong><em>.</em>\r\n\r\n&nbsp;\r\n<h3>2013</h3>\r\n<strong>The Hidden Hand</strong>: Producer<strong>/</strong>Director, James Carman, <strong><em>Winner of 5 Awards</em>,</strong> 3 for best documentary. About the phenomenon of extraterrestrial contact. Distributed in North and South America. A bestseller on Amazon Prime and Netflix.\r\n\r\n<strong>PrivCap</strong>: Producer<strong>/</strong>Director, James Carman. A financial TV show shot in Sao Paulo, D.C. and New York City.\r\n\r\n<strong> </strong>\r\n<h3>2012</h3>\r\n<strong>In Solitude:</strong> Director, Gladys Triana; Producer/DP, James Carman. A video art piece for Cintas Museum in Miami.\r\n\r\n&nbsp;\r\n<h3>2011</h3>\r\n<strong>The Sweet Life</strong>: Feature Film. Director, Rocco Simonelli; DP, James Carman.\r\n\r\nA comedy starring <strong><em>Joan Jett</em></strong>, DVD release.\r\n\r\n<strong>Sprite: </strong>Commercial<strong>. </strong>Director, Matthias Clamer<strong>; </strong>DP, James Carman. Animated Spot.\r\n\r\n<strong>Wind Shadows: </strong>Documentary. Director, Carole Ryavec; DP, James Carman. About a wildlife corridor in the Riff Valley of Kenya.\r\n\r\n&nbsp;\r\n<h3>2010</h3>\r\n<strong>Intel/HP Live Beats Series: </strong>TV Show. Lighting Director, James Carman. Highlighting music groups <strong><em>Train</em></strong>, <strong><em>Weezer</em></strong>, and <strong><em>One Republic</em></strong>.\r\n\r\n<strong>LA Zombie: </strong>Feature Film. Director, Bruce LaBruce; DP, James Carman. Zombie spoof starring Francois Sagat. <strong><em>Toronto </em></strong><strong><em>and Locarno Film Festivals.</em></strong>\r\n\r\n<strong>The Glades: </strong>Director, Matthias Clamer<strong>; </strong>DP, James Carman. A&amp;E Chanel, Two commercials to promote the TV show.\r\n\r\n<strong>The Observer:</strong> Director, Gladys Triana; Producer/DP, James Carman. A video art piece for El Museo del Bario in New York City.\r\n\r\n&nbsp;\r\n<h3>2009</h3>\r\n<strong>Diet Coke Style Series: </strong>TV Show<strong>. </strong>Lighting Director, James Carman; Fashion and music show with <strong><em>Heidi Klum, Hilary Duff</em></strong>, <strong><em>Robin Thicke</em></strong>, <strong><em>Edward Norton</em></strong>, <strong><em>Natasha Bedingfield, Stacy Bendet,</em></strong> and<strong><em> Christian Siriano</em></strong>;\r\n\r\n<strong>Siemens, </strong>Commercials. Director, Roman Kuhn; DP, James Carman. Crossing Pictures.\r\n\r\n<strong>Safia</strong>: Commerical. Director, SouadKouninef<strong>; </strong>DPand Editor; James Carman. Cooking oil spot for Ramadan.\r\n\r\n&nbsp;\r\n<h3>2008</h3>\r\n<strong>Otto; or Up With Dead People</strong>: Feature Film. Director, Bruce LaBruce; DP, James Carman.<strong><em> Sundance </em></strong>and <strong><em>Berlin </em></strong><strong><em>Film Festival</em></strong>. Zombie love story. Won <strong><em>Vision Award </em></strong>at the Rio Film Festival and won <strong><em>Award for</em></strong> <strong><em>Best Picture </em></strong>at the Milano G&amp;L Film Fest. Distributed by Strand Releasing.\r\n\r\n<strong>Getty Images: </strong>Stock Images. Producer<strong>/</strong>Director, James Carman, Mathias Clamer; Film and photo content 2005-2008.\r\n\r\n<strong>Blend:</strong> Stock Images. Producer<strong>/</strong>Director, James Carman. Stock photo content from 2007-2009.\r\n\r\n<strong>Juliana Collezione: </strong>Video Lookbook. Producer<strong>/</strong>Director, James Carman. Filmed fashion collections: Fall and Winter.\r\n\r\n<strong>Al Capp</strong>, Documentary. Director, Caitlin Manning; DP and NYC producer, James Carman. About the L’il Abner cartoonist.\r\n\r\n<strong>Juliana Collezione: </strong>Video Lookbook. Producer<strong>/</strong>Director, James Carman. Filmed fashion collections: Fall and Winter.\r\n\r\n<strong> </strong>\r\n<h3>2006</h3>\r\n<strong>Florida Dreams</strong>, German TV Drama. Director, Dieter Kehler, Technical Producer New York unit, James Carman. UFA TV, German TV show set in Florida.\r\n\r\n<strong>White Elephant Hotel</strong>, Commerical. Director/DP, James Carman. The 7th Art.\r\n\r\n&nbsp;\r\n<h3>2005</h3>\r\n<strong>Gisela: </strong>Feature Film. Director, Isabel Stever; DP, James Carman. Story about violent, star-crossed lovers in Bonn<strong><em>. Berlin Film Festival</em></strong>. <strong><em>Award for Best Feature </em></strong>in Crossing Borders Festival, Austria. <strong><em>Award for Best Feature </em></strong>in the Russian Baltic\r\n\r\nDebuts Film Festival.\r\n\r\n<strong>Forever and Always</strong>: German TV Drama. Director, Markus Emboden, Technical Producer New York Unit, James Carman. D.I.E TV.\r\n\r\n<strong>Pfizer Compliance: </strong>Educational videos. Producer, James Carman. Legal Videos.\r\n\r\n<strong>Target</strong>: Commercial. Director, James Carman, Green screen web spot.\r\n\r\n<strong>Untitled</strong>: Art Piece. Director, Rirkrit Travania, DP, James Carman.\r\n\r\n<strong>Autism: </strong>Documentary. Director, Gary Keys; DP, James Carman. About how parents struggle to communicate with their autistic children.\r\n\r\n<strong> </strong>\r\n<h3>2004</h3>\r\n<strong>Raspberry Reich: </strong>Feature Film. Director, Bruce La Bruce, DP, James Carman. Spoof about a group of young radical leftists.<strong><em> Sundance </em></strong><em>and <strong>Berlin </strong></em><strong><em>Film Festival</em></strong> Premiere; Theatrical/video release by Strand Releasing.\r\n\r\n<strong>Washington State Lottery: </strong>Commercial. Director, Glenn Rockowitz, , DP/ Producer, James Carman. Time Traveler Productions, 2 commercials.\r\n\r\n<strong>Paparazzo: </strong>German TV Drama. Director, Stephan Wagner; Technical Producer New York unit, James Carman. Mueller und Seelig Productions;\r\n\r\n<strong>ModeRNE:</strong> Documentary. Director, Miriam Dehne, New York Producer / DP, James Carman. Portrait of the AS4 fashion designers. ARTE / ZDF.\r\n\r\n<strong>Braun: </strong>Commercial. Director/ DP, James Carman; with <strong><em>Heidi Klum</em></strong>.\r\n\r\n<strong>Eruf: </strong>Documentary. Director, Kai Wiesinger; DP, James Carman. About how orthodox Jews go to temple on Sabbath. <strong><em>Berlin Film Festival.</em></strong>\r\n\r\n<strong>Breaking the Rules: </strong>Documentary. Director, Michael Armareda<strong>;</strong> DP, James Carman. <strong><em>Peter Fonda</em></strong> talks about the counter culture of the 60’s.\r\n\r\n<strong>Parenting Magazine</strong>: Commercial. Producer/Director, James Carman; Inkwell and Time Traveler Productions\r\n\r\n<strong>La Lupe</strong>: Documentary. Director, Ela Troyano; DP, James Carman. About the Cuban singer and Queen of Latin Soul. PBS. Won <strong><em>Alma award </em></strong>for Latin Documentaries.\r\n\r\n<strong>The Net</strong>: Documentary. Director, Lutz Dammbeck, DP, James Carman. About the Unabomber. ARTE/ ZDF.\r\n\r\n<strong>Elegy: </strong>Dance Video<strong>. </strong>Director, Ela Troyano; DP, James Carman. Tiffany Mills Dance video at <strong><em>Guggenheim Museum</em></strong>.\r\n\r\n<strong>Pfizer: </strong>Commercial. Director, David Sandbank; DP, James Carman. Promotion of Drugs.\r\n\r\n<strong>Lemurian Legacy:</strong> Director, James Carman<strong>. </strong>Revisionist history in China and Cambodia. Expansions Publishing.\r\n\r\n<strong>Rosenstrausse: </strong>Feature Film. Director, Margareta von Trotta; Technical Producer New York Unit, James Carman. Studio Hamburg.\r\n\r\n<strong>Not in Our Name:</strong> Documentary. Director, Frances Anderson; DP, James Carman. About family members of 9-11 victims.\r\n\r\n&nbsp;\r\n<h3>2001</h3>\r\n<strong>Hacks</strong>: Feature Film. Director, Glenn Rockowitz; Producer/DP, James Carman. Comedy about bad stand-up comedians. Smiggle Films.\r\n\r\n<strong>MTV Networks: </strong>Director, Matt Heron; DP, James Carman. Table top food spot with MTV stewardess.\r\n\r\n<strong>Bloodlines</strong>: Feature Film. Director, Darryl De Angelo; DP, James Carman. About the Mafia and secret societies.\r\n\r\n<strong>Queer as Fuck, The Trey Billings Show: </strong>Director, David Briggs; DP, James Carman. Gay comedy. DVD release.\r\n\r\n<strong>The Night Larry Kramer Kissed Me</strong>: Feature Film. Director, Tim Kirkland; DP, James Carman. An adaptation of the play. Theatrical/DVD release by Film Next.\r\n\r\n<strong>Media Metrics</strong>: Commercial. Director, Michael Bennett; DP, James Carman.\r\n\r\n<strong>3D Orchestrate</strong>: Commercial. Director, Rich Rickaby; DP, James Carman. Animation software spot.\r\n\r\n<strong>Nancy and Frank</strong>: Feature Film. Director, Wolf Grimm; New York Unit DP/ Aerial cinematography, James Carman. About forlorn love. German Theatrical Release.\r\n\r\n<strong>Maine International Film Workshops</strong>: James Carman taught Cinematography and Videography.\r\n\r\n&nbsp;\r\n<h3>1999</h3>\r\n<strong>Lucent Technologies</strong>: Commercial. Producer/Director/DP, James Carman. Spot about broadband Media.\r\n\r\n<strong>WebMD</strong>: Commercial. Director, Jason Kelly; DP, James Carman. Curious Pictures.\r\n\r\n<strong>Big Money Hustlas</strong>: Feature Film. John Cafiero, DP, James Carman. Comedy with the Insane Clown Posse and the Jerky Boys. Produced by Island Records. DVD Release.\r\n\r\n<strong>Sparta: </strong>Commercial. Director, <strong><em>Terry Richardson</em></strong>, DP, James Carman. Spot for London clothing store, ICB.\r\n\r\n<strong>Sturmzeit</strong>: TV Drama. Director, Bernd Boehlich; Technical Producer New York unit, James Carman. Ziegler Films.\r\n\r\n&nbsp;\r\n<h3>1998</h3>\r\n<strong>Skin Flick: </strong>Feature Film. Director, Bruce Labruce; DP, James Carman. About a gang of skin heads in London. <strong><em>Rotterdam and Edinburough Film Festivals</em></strong>. Theatrical Release by Strand.\r\n\r\n<strong>The Floys of Neighorly Lane</strong>: Feature Film Short. Director, Danielle Farnaldo;\r\n\r\nDP, James Carman. Can you trust your neighbors? <strong><em>1<sup>st</sup> prize in Ft. Lauderdale Film Festival</em>, </strong>and<strong> <em>1<sup>st</sup> prize Marco Island Fesival.</em></strong>\r\n\r\n<strong>Guess?: </strong>Commercial. DP, James Carman. Fashion spot with supermodel <strong><em>Laetitia Casta</em></strong>.\r\n\r\n<strong>Asana; Sacred Dance of the Yogi’s:</strong> Documentary. Producer /Director /DP, James Carman. A yoga dance film starring Sharon Gannon and David Life. Distributed by Mystic Fire Video and Jivamukti.\r\n\r\n<strong>“Que Habria Sido de Mi”:</strong> Music Video. DP, James Carman. Singer, Victor Manuel; Salsa music!\r\n\r\n&nbsp;\r\n<h3>1997</h3>\r\n<strong>Circle’s Short Circuit: </strong>Feature Film. Director, Caspar Strake; DP, James Carman. <strong><em>MOMA</em></strong> screenings.\r\n\r\n<strong>Latin Boys Go to Hell</strong>: Feature Film. Director, Ela Troyano, DP, James Carman. <strong><em>Premiere Berlin and Toronto Film Festival Premieres</em></strong>. Theatrical/video release by Strand Releasing\r\n\r\n<strong>What is Yoga?</strong>: Documentary. Director, Mary Bosakowski; DP, James Carman. About the philosophy of yoga with <strong><em>Willem Dafoe</em>. </strong>Distributed by Mystic Fire Video and Jivamukti.\r\n\r\n&nbsp;\r\n<h3>1996</h3>\r\n<strong>Misogyny</strong>: Music Video, Band:Rusty, Director, Bruce La Bruce; DP, James Carman.\r\n<strong><em>Awarded best conceptual Music Video </em></strong><strong><em>‘96 </em></strong><em>for More Music Canada.</em>\r\n\r\n<em> </em>\r\n<h3>1995</h3>\r\n<strong>BLACK SAINT</strong><em>:</em> Writer. Feature length script about a violent saint. Written for Volkenborn Productions.\r\n\r\n<strong>The Marriage Makers</strong>: Documentary. Director, Miriam Dehne; DP, James Carman. About the business of marriage. ARTE / ZDF.\r\n\r\n<strong>Fascist</strong>: Feature Film Short. Director, Jürgen Brünning; DP, James Carman. <strong><em>First prize Berlin Video Festival.</em></strong>\r\n\r\n<strong>Blood: </strong>Feature Film Short. Director, Jürgen Brünning; DP, James Carman. A young woman is addicted.\r\n\r\n<strong>The Last Picture: </strong>Feature Film Short. Director, Bulent Akinci; DP, James Carman. About a nude man’s surreal journey. <strong><em>Critics Prize Oberhausen Film Festival.</em></strong>\r\n\r\n<strong>Open Light</strong>: Feature Film Short. Producer/Director, James Carman. An artistic exploration into freedom after facing a nervous breakdown. <strong><em>Award for Artistic Merit, Berlin Interfilm Festival.</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n<h3>1994</h3>\r\n<strong>The Last Baron</strong>: Writer. Film treatment written for <strong><em>Lars Van Trier</em></strong> and the Coproduction Office about Baron von Ungern-Sternberg who was the last Romanov general.\r\n\r\n&nbsp;\r\n<h3>1993</h3>\r\n<strong>Think Tank:</strong> Feature Film Short. Producer/Director, James Carman. <strong><em>Locarno Film Festival Premiere. </em></strong>A product development creative has a nervous breakdown.\r\n\r\n<strong>Mind is the Medium</strong>: Feature Film Short. Producer/Director, James Carman. Mind creates the message.\r\n\r\n<strong>Headstrong</strong>: Writer. A feature length comedy about an advertising agency.\r\n\r\n&nbsp;\r\n<h3>1991</h3>\r\n<strong>Three Thousand Years Gravity</strong>: Feature Film Short. Producer/Director, James Carman; The journey is the path. <strong><em>Berlin Film Festival Premiere, Locarno Film Festival.</em></strong>\r\n\r\n&nbsp;\r\n<h3>1990</h3>\r\n<strong>Claw Your Eye</strong>: Feature Film Short. Producer/Director, James Carman. An exploration into the nature of perception. <strong><em>Berlin Film Festival Premiere,</em></strong> and<strong><em> Sacramento Film Festival Silver Star Award.</em></strong>\r\n\r\n<strong> </strong>\r\n<h3>1988</h3>\r\n<strong>Outsider\'s Overture</strong>: Rock Opera. Composer, James Carman. An opera about societal outsiders. Commissioned and performed for the European Culture Capital Berlin.\r\n\r\n&nbsp;\r\n<h3>1985</h3>\r\n<strong>El Tunel</strong>: Director and Composer, James Carman. Experimental video art. Shown at the Austin and Kansas City Electronic Music Festivals.\r\n\r\n<strong>Empty Every Night</strong>: Director and Composer. The secrets of life are repeated every night.\r\n\r\n&nbsp;\r\n<h3><strong><span style=\"text-decoration: underline;\">EDUCATION</span></strong></h3>\r\nBA from the University of Texas\r\n\r\nMasters studies in film, San Francisco State University\r\n\r\nGuest Filmmaker at the German Film Academy Berlin\r\n\r\n&nbsp;\r\n<h3><strong><span style=\"text-decoration: underline;\">SKILLS</span></strong></h3>\r\n<strong>Languages:</strong> English, German and Spanish fluency\r\n\r\n<strong>Technical:</strong> All Cameras, Photography, Set Lighting, FCP 7, FCPX, Adobe Premiere, Photoshop\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<h3><strong><span style=\"text-decoration: underline;\">AFFILIATIONS</span></strong></h3>\r\nPGA; The Producers Guild of America\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'About James', '', 'inherit', 'closed', 'closed', '', '130-revision-v1', '', '', '2016-02-27 13:50:12', '2016-02-27 18:50:12', '', 130, 'http://jamescarman.website/2016/02/27/130-revision-v1/', 0, 'revision', '', 0),
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(91, 2, '2014-09-06 09:18:22', '2014-09-06 08:18:22', '[vc_row][vc_column width=\"1/1\"][vc_custom_heading text=\"Art for the Curious and the Brave\" font_container=\"tag:h2|text_align:left\" google_fonts=\"font_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\"][vc_separator color=\"grey\" style=\"double\"][vc_column_text]I am always happy to hear from you, answer questions, provide samples or references.[/vc_column_text][/vc_column][/vc_row][vc_row type=\"boxed\" gmbt_prlx_bg_type=\"parallax\" gmbt_prlx_parallax=\"none\" gmbt_prlx_speed=\"0.3\" gmbt_prlx_break_parents=\"0\" gmbt_prlx_row_span=\"0\"][vc_column width=\"1/2\"][contact-form-7 id=\"498\" title=\"Contact form 1\"][/vc_column][vc_column width=\"1/2\"][vc_column_text el_class=\"contact-address\"]\r\n<ul>\r\n	<li>210 1st Ave. #20, NY NY 10009, United States</li>\r\n	<li>Email: james@jamescarman.net</li>\r\n	<li>Office: +1 (212) 533-8806</li>\r\n	<li>Cell: +1 (917) 208-8806</li>\r\n</ul>\r\n[/vc_column_text][guu_social_icons_grid social_icon_color=\"#dddddd\" social_icon_size=\"25\"][/vc_column][/vc_row]', 'Contact', '', 'publish', 'open', 'open', '', 'contact', '', '', '2016-02-27 13:44:07', '2016-02-27 18:44:07', '', 0, 'http://localhost:8888/fargo-demo/?page_id=13', 4, 'page', '', 0),
(127, 2, '2015-03-01 10:17:01', '2015-03-01 15:17:01', '<h2>JAMES CARMAN’S RESUME</h2>\n&nbsp;\n<h3>2016</h3>\n<strong>Fluid</strong>: Dir. Shu Lea Cheang, DP for dystopian Sci-Fi Feature about addictive disease.\n<h3></h3>\n<h3>2015</h3>\n<strong>MOMA</strong>: DP; Retrospective of Bruce La Bruce, 5 films screened in April and May.\n\n<strong>Williams Agency</strong>: Producer, DP; Commercial for 432 Park Pl. with <strong><em>Jean Novelle</em></strong>.\n\n<strong>Williams Agency</strong>: Producer, DP; Commercial for Steiner Film Studios.\n\n<strong>Williams Agency</strong>: Producer, Photog., DP; Commercial Sugar Beach Resort. St. Lucia.\n\n<strong>Williams Agency</strong>: Photographer; Four Seasons Hotel, Palm Beach, Fl.\n\n<strong>Hollywood and Vine, </strong>Director, Matt Jacobs; DP for a feature length comedy set in LA.\n\n<strong>Thomson Reuters</strong>: 2001-2015, lighting designer, cameraman, and editor.\n\n<strong>The United Nations</strong>: 2013-2015, lighting designer<strong>, </strong>technical director<strong>, </strong>and cameraman.\n\n<strong>Dust</strong>: Director, Gladys Triana; Producer/DP, James Carman. A video art piece for El Museo del Barrio in New York City.\n\n&nbsp;\n<h3>2014</h3>\n<strong>Simple Recipes for Joy and Tribe Gathering</strong>: Producer/Director, James Carman. A book premiere and theatrical performance with <strong><em>Sting</em></strong><em>, <strong>Sharon Gannon</strong></em> and <strong><em>Krishna Das</em></strong><em>.</em>\n\n&nbsp;\n<h3>2013</h3>\n<strong>The Hidden Hand</strong>: Producer<strong>/</strong>Director, James Carman, <strong><em>Winner of 5 Awards</em>,</strong> 3 for best documentary. About the phenomenon of extraterrestrial contact. Distributed in North and South America. A bestseller on Amazon Prime and Netflix.\n\n<strong>PrivCap</strong>: Producer<strong>/</strong>Director, James Carman. A financial TV show shot in Sao Paulo, D.C. and New York City.\n\n<strong> </strong>\n<h3>2012</h3>\n<strong>In Solitude:</strong> Director, Gladys Triana; Producer/DP, James Carman. A video art piece for Cintas Museum in Miami.\n\n&nbsp;\n<h3>2011</h3>\n<strong>The Sweet Life</strong>: Feature Film. Director, Rocco Simonelli; DP, James Carman. A comedy starring <strong><em>Joan Jett</em></strong>, DVD release.\n\n<strong>Sprite: </strong>Commercial<strong>. </strong>Director, Matthias Clamer<strong>; </strong>DP, James Carman. Animated Spot.\n\n<strong>Wind Shadows: </strong>Documentary. Director, Carole Ryavec; DP, James Carman. About a wildlife corridor in the Riff Valley of Kenya.\n\n.\n<h3>2010</h3>\n<strong>Intel/HP Live Beats Series: </strong>TV Show. Lighting Director, James Carman. Highlighting music groups <strong><em>Train</em></strong>, <strong><em>Weezer</em></strong>, and <strong><em>One Republic</em></strong>.\n\n<strong>LA Zombie: </strong>Feature Film. Director, Bruce LaBruce; DP, James Carman. Zombie spoof starring Francois Sagat. <strong><em>Toronto </em></strong><strong><em>and Locarno Film Festivals.</em></strong>\n\n<strong>The Glades: </strong>Director, Matthias Clamer<strong>; </strong>DP, James Carman. A&amp;E Chanel, Two commercials to promote the TV show.\n\n<strong>The Observer:</strong> Director, Gladys Triana; Producer/DP, James Carman. A video art piece for El Museo del Bario in New York City.\n\n&nbsp;\n<h3>2009</h3>\n<strong>Diet Coke Style Series: </strong>TV Show<strong>. </strong>Lighting Director, James Carman; Fashion and music show with <strong><em>Heidi Klum, Hilary Duff</em></strong>, <strong><em>Robin Thicke</em></strong>, <strong><em>Edward Norton</em></strong>, <strong><em>Natasha Bedingfield, Stacy Bendet,</em></strong> and<strong><em> Christian Siriano</em></strong>;\n\n<strong>Siemens, </strong>Commercials. Director, Roman Kuhn; DP, James Carman. Crossing Pictures.\n\n<strong>Safia</strong>: Commerical. Director, SouadKouninef<strong>; </strong>DPand Editor; James Carman. Cooking oil spot for Ramadan.\n\n&nbsp;\n<h3>2008</h3>\n<strong>Otto; or Up With Dead People</strong>: Feature Film. Director, Bruce LaBruce; DP, James Carman.<strong><em> Sundance </em></strong>and <strong><em>Berlin </em></strong><strong><em>Film Festival</em></strong>. Zombie love story. Won <strong><em>Vision Award </em></strong>at the Rio Film Festival and won <strong><em>Award for</em></strong> <strong><em>Best Picture </em></strong>at the Milano G&amp;L Film Fest. Distributed by Strand Releasing.\n\n<strong>Getty Images: </strong>Stock Images. Producer<strong>/</strong>Director, James Carman, Mathias Clamer; Film and photo content 2005-2008.\n\n<strong>Blend:</strong> Stock Images. Producer<strong>/</strong>Director, James Carman. Stock photo content from 2007-2009.\n\n<strong>Juliana Collezione: </strong>Video Lookbook. Producer<strong>/</strong>Director, James Carman. Filmed fashion collections: Fall and Winter.\n\n<strong>Al Capp</strong>, Documentary. Director, Caitlin Manning; DP and NYC producer, James Carman. About the L’il Abner cartoonist.\n\n<strong>Juliana Collezione: </strong>Video Lookbook. Producer<strong>/</strong>Director, James Carman. Filmed fashion collections: Fall and Winter.\n\n<strong> </strong>\n<h3>2006</h3>\n<strong>Florida Dreams</strong>, German TV Drama. Director, Dieter Kehler, Technical Producer New York unit, James Carman. UFA TV, German TV show set in Florida.\n\n<strong>White Elephant Hotel</strong>, Commerical. Director/DP, James Carman. The 7th Art.\n\n&nbsp;\n<h3>2005</h3>\n<strong>Gisela: </strong>Feature Film. Director, Isabel Stever; DP, James Carman. Story about violent, star-crossed lovers in Bonn<strong><em>. Berlin Film Festival</em></strong>. <strong><em>Award for Best Feature </em></strong>in Crossing Borders Festival, Austria. <strong><em>Award for Best Feature </em></strong>in the Russian Baltic Debuts Film Festival.\n\n<strong>Forever and Always</strong>: German TV Drama. Director, Markus Emboden, Technical Producer New York Unit, James Carman. D.I.E TV.\n\n<strong>Pfizer Compliance: </strong>Educational videos. Producer, James Carman. Legal Videos.\n\n<strong>Target</strong>: Commercial. Director, James Carman, Green screen web spot.\n\n<strong>Untitled</strong>: Art Piece. Director, Rirkrit Travania, DP, James Carman.\n\n<strong>Autism: </strong>Documentary. Director, Gary Keys; DP, James Carman. About how parents struggle to communicate with their autistic children.\n\n<strong> </strong>\n<h3>2004</h3>\n<strong>Raspberry Reich: </strong>Feature Film. Director, Bruce La Bruce, DP, James Carman. Spoof about a group of young radical leftists.<strong><em> Sundance </em></strong><em>and <strong>Berlin </strong></em><strong><em>Film Festival</em></strong> Premiere; Theatrical/video release by Strand Releasing.\n\n<strong>Washington State Lottery: </strong>Commercial. Director, Glenn Rockowitz, , DP/ Producer, James Carman. Time Traveler Productions, 2 commercials.\n\n<strong>Paparazzo: </strong>German TV Drama. Director, Stephan Wagner; Technical Producer New York unit, James Carman. Mueller und Seelig Productions;\n\n<strong>ModeRNE:</strong> Documentary. Director, Miriam Dehne, New York Producer / DP, James Carman. Portrait of the AS4 fashion designers. ARTE / ZDF.\n\n<strong>Braun: </strong>Commercial. Director/ DP, James Carman; with <strong><em>Heidi Klum</em></strong>.\n\n<strong>Eruf: </strong>Documentary. Director, Kai Wiesinger; DP, James Carman. About how orthodox Jews go to temple on Sabbath. <strong><em>Berlin Film Festival.</em></strong>\n\n<strong>Breaking the Rules: </strong>Documentary. Director, Michael Armareda<strong>;</strong> DP, James Carman. <strong><em>Peter Fonda</em></strong> talks about the counter culture of the 60’s.\n\n<strong>Parenting Magazine</strong>: Commercial. Producer/Director, James Carman; Inkwell and Time Traveler Productions\n\n<strong>La Lupe</strong>: Documentary. Director, Ela Troyano; DP, James Carman. About the Cuban singer and Queen of Latin Soul. PBS. Won <strong><em>Alma award </em></strong>for Latin Documentaries.\n\n<strong>The Net</strong>: Documentary. Director, Lutz Dammbeck, DP, James Carman. About the Unabomber. ARTE/ ZDF.\n\n<strong>Elegy: </strong>Dance Video<strong>. </strong>Director, Ela Troyano; DP, James Carman. Tiffany Mills Dance video at <strong><em>Guggenheim Museum</em></strong>.\n\n<strong>Pfizer: </strong>Commercial. Director, David Sandbank; DP, James Carman. Promotion of Drugs.\n\n<strong>Lemurian Legacy:</strong> Director, James Carman<strong>. </strong>Revisionist history in China and Cambodia. Expansions Publishing.\n\n<strong>Rosenstrausse: </strong>Feature Film. Director, Margareta von Trotta; Technical Producer New York Unit, James Carman. Studio Hamburg.\n\n<strong>Not in Our Name:</strong> Documentary. Director, Frances Anderson; DP, James Carman. About family members of 9-11 victims.\n\n&nbsp;\n<h3>2001</h3>\n<strong>Hacks</strong>: Feature Film. Director, Glenn Rockowitz; Producer/DP, James Carman. Comedy about bad stand-up comedians. Smiggle Films.\n\n<strong>MTV Networks: </strong>Director, Matt Heron; DP, James Carman. Table top food spot with MTV stewardess.\n\n<strong>Bloodlines</strong>: Feature Film. Director, Darryl De Angelo; DP, James Carman. About the Mafia and secret societies.\n\n<strong>Queer as Fuck, The Trey Billings Show: </strong>Director, David Briggs; DP, James Carman. Gay comedy. DVD release.\n\n<strong>The Night Larry Kramer Kissed Me</strong>: Feature Film. Director, Tim Kirkland; DP, James Carman. An adaptation of the play. Theatrical/DVD release by Film Next.\n\n<strong>Media Metrics</strong>: Commercial. Director, Michael Bennett; DP, James Carman.\n\n<strong>3D Orchestrate</strong>: Commercial. Director, Rich Rickaby; DP, James Carman. Animation software spot.\n\n<strong>Nancy and Frank</strong>: Feature Film. Director, Wolf Grimm; New York Unit DP/ Aerial cinematography, James Carman. About forlorn love. German Theatrical Release.\n\n<strong>Maine International Film Workshops</strong>: James Carman taught Cinematography and Videography.\n\n&nbsp;\n<h3>1999</h3>\n<strong>Lucent Technologies</strong>: Commercial. Producer/Director/DP, James Carman. Spot about broadband Media.\n\n<strong>WebMD</strong>: Commercial. Director, Jason Kelly; DP, James Carman. Curious Pictures.\n\n<strong>Big Money Hustlas</strong>: Feature Film. John Cafiero, DP, James Carman. Comedy with the Insane Clown Posse and the Jerky Boys. Produced by Island Records. DVD Release.\n\n<strong>Sparta: </strong>Commercial. Director, <strong><em>Terry Richardson</em></strong>, DP, James Carman. Spot for London clothing store, ICB.\n\n<strong>Sturmzeit</strong>: TV Drama. Director, Bernd Boehlich; Technical Producer New York unit, James Carman. Ziegler Films.\n\n&nbsp;\n<h3>1998</h3>\n<strong>Skin Flick: </strong>Feature Film. Director, Bruce Labruce; DP, James Carman. About a gang of skin heads in London. <strong><em>Rotterdam and Edinburough Film Festivals</em></strong>. Theatrical Release by Strand.\n\n<strong>The Floys of Neighorly Lane</strong>: Feature Film Short. Director, Danielle Farnaldo;\n\nDP, James Carman. Can you trust your neighbors? <strong><em>1<sup>st</sup> prize in Ft. Lauderdale Film Festival</em>, </strong>and<strong> <em>1<sup>st</sup> prize Marco Island Fesival.</em></strong>\n\n<strong>Guess?: </strong>Commercial. DP, James Carman. Fashion spot with supermodel <strong><em>Laetitia Casta</em></strong>.\n\n<strong>Asana; Sacred Dance of the Yogi’s:</strong> Documentary. Producer /Director /DP, James Carman. A yoga dance film starring Sharon Gannon and David Life. Distributed by Mystic Fire Video and Jivamukti.\n\n<strong>“Que Habria Sido de Mi”:</strong> Music Video. DP, James Carman. Singer, Victor Manuel; Salsa music!\n\n&nbsp;\n<h3>1997</h3>\n<strong>Circle’s Short Circuit: </strong>Feature Film. Director, Caspar Strake; DP, James Carman. <strong><em>MOMA</em></strong> screenings.\n\n<strong>Latin Boys Go to Hell</strong>: Feature Film. Director, Ela Troyano, DP, James Carman. <strong><em>Premiere Berlin and Toronto Film Festival Premieres</em></strong>. Theatrical/video release by Strand Releasing\n\n<strong>What is Yoga?</strong>: Documentary. Director, Mary Bosakowski; DP, James Carman. About the philosophy of yoga with <strong><em>Willem Dafoe</em>. </strong>Distributed by Mystic Fire Video and Jivamukti.\n\n&nbsp;\n<h3>1996</h3>\n<strong>Misogyny</strong>: Music Video, Band:Rusty, Director, Bruce La Bruce; DP, James Carman.\n<strong><em>Awarded best conceptual Music Video </em></strong><strong><em>‘96 </em></strong><em>for More Music Canada.</em>\n\n<em> </em>\n<h3>1995</h3>\n<strong>The Marriage Makers</strong>: Documentary. Director, Miriam Dehne; DP, James Carman. About the business of marriage. ARTE / ZDF.\n\n<strong>Fascist</strong>: Feature Film Short. Director, Jürgen Brünning; DP, James Carman. <strong><em>First prize Berlin Video Festival.</em></strong>\n\n<strong>Blood: </strong>Feature Film Short. Director, Jürgen Brünning; DP, James Carman. A young woman is addicted.\n\n<strong>The Last Picture: </strong>Feature Film Short. Director, Bulent Akinci; DP, James Carman. About a nude man’s surreal journey. <strong><em>Critics Prize Oberhausen Film Festival.</em></strong>\n\n<strong>Open Light</strong>: Feature Film Short. Producer/Director, James Carman. An artistic exploration into freedom after facing a nervous breakdown. <strong><em>Award for Artistic Merit, Berlin Interfilm Festival.</em></strong>\n\n&nbsp;\n<h3>1993</h3>\n<strong>Think Tank:</strong> Feature Film Short. Producer/Director, James Carman. <strong><em>Locarno Film Festival Premiere. </em></strong>A product development creative has a nervous breakdown.\n\n<strong>Mind is the Medium</strong>: Feature Film Short. Producer/Director, James Carman. Mind creates the message.\n\n&nbsp;\n<h3>1991</h3>\n<strong>Three Thousand Years Gravity</strong>: Feature Film Short. Producer/Director, James Carman; The journey is the path. <strong><em>Berlin Film Festival Premiere, Locarno Film Festival.</em></strong>\n\n&nbsp;\n\n1990\n\n<strong>Claw Your Eye</strong>: Feature Film Short. Producer/Director, James Carman. An exploration into the nature of perception. <strong><em>Berlin Film Festival Premiere,</em></strong> and<strong><em> Sacramento Film Festival Silver Star Award.</em></strong>\n\n<strong> </strong>\n\n1988\n\n<strong>Outsider\'s Overture</strong>: Rock Opera. Composer, James Carman. An opera about societal outsiders. Commissioned and performed for the European Culture Capital Berlin.\n\n&nbsp;\n\n<strong><span style=\"text-decoration: underline;\">SKILLS</span></strong>\n\n<strong>Languages:</strong> English, German and Spanish fluency\n\n<strong>Technical:</strong> All Cameras, Set Lighting, FCP 7, FCPX, Adobe Premiere, Photoshop\n\n&nbsp;\n\n<strong><span style=\"text-decoration: underline;\">AFFILIATIONS</span></strong>\n\nPGA; The Producers Guild of America\n\n&nbsp;', 'CV', '', 'publish', 'open', 'open', '', 'cv', '', '', '2015-03-01 10:17:01', '2015-03-01 15:17:01', '', 0, 'http://www.jamescarman.net/wp/?page_id=127', 0, 'page', '', 0);
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(130, 2, '2015-03-01 10:18:14', '2015-03-01 15:18:14', '&nbsp;\r\n\r\n<img class=\"aligncenter  wp-image-523\" src=\"http://jamescarman.website/wp-content/uploads/2015/03/James_Carman-Headshot-SQ-300x300.png\" alt=\"James_Carman-Headshot-SQ-300x300\" width=\"215\" height=\"215\" />\r\n\r\nJames Carman is an accomplished New York based creative producer and director. He has also worked as a cinematographer and photographer since 1989.\r\n\r\n<strong>James is inspired by the worldly and otherworldly.</strong> <strong>He creates content that looks behind the veil of consensual reality, examining what most are ready to ignore. His art is for the curious and brave. It is for those who want humanity to evolve spiritually. </strong>\r\n\r\nHis feature length documentary, <a title=\"The Hidden Hand\" href=\"http://www.hiddenhandthemovie.com/\" target=\"_blank\"><strong>The Hidden Hand; Alien Contact and the Government Cover-up</strong></a>, has won 5 awards and is distributed internationally. It was on both Amazon Prime’s and Netflix’s best selling documentary lists for 3 weeks. On Netflix over 210,000 people have rated or commented on the film.\r\n\r\nJames has shot many features films that have been shown in festivals and theaters around the globe (Sundance, Cannes, Berlin, Toronto film festivals and the MOMA in New York). His short films have premiered at the Berlin Film Festival and at the Locarno Film Festival. James is a member of the Producer’s Guild and is currently producing a TV series, <a title=\"Super Concious\" href=\"http://SUPERCONSCIOUSTHEMOVIE.COM/\" target=\"_blank\"><strong>Superconscious</strong></a>. To experience James\' newest productions, sign up for his mailing list where you can receive his exclusive updates\r\n\r\n&nbsp;\r\n<h3 style=\"text-align: center;\">JAMES CARMAN’S RESUME</h3>\r\n<h3>2016</h3>\r\n<strong>Fluid</strong>Q: Dir. Shu Lea Cheang, DP for dystopian Sci-Fi Feature about addictive disease.\r\n\r\n&nbsp;\r\n<h3>2015</h3>\r\n<strong>MOMA</strong>: DP; Retrospective of Bruce La Bruce, 5 films screened in April and May.\r\n\r\n<strong>Williams Agency</strong>: Producer, DP; Commercial for 432 Park Pl. w/ <strong><em>Jean Novelle</em></strong>.\r\n\r\n<strong>Williams Agency</strong>: Producer, DP; Commercial for Steiner Film Studios.\r\n\r\n<strong>Williams Agency</strong>: Producer, Photog., DP; Commercial Sugar Beach Resort. St. Lucia.\r\n\r\n<strong>Williams Agency</strong>: Photographer; Four Seasons Hotel, Palm Beach, Fl.\r\n\r\n<strong>Hollywood and Vine, </strong>Director, Matt Jacobs; DP for a feature length comedy set in LA.\r\n\r\n<strong>MOMA</strong>; Five narrative films screened at the Museum of Modern Art for the Bruce LaBruce retrospective.\r\n\r\n<b>Soho Properties</b>; Commercial for a luxury high-rise tower at Park 51. Director, Chez Costanzo; DP, James Carman\r\n\r\n<strong>Thomson Reuters</strong>: 2001-2015, lighting designer, cameraman, and editor.\r\n\r\n<strong>The United Nations</strong>: 2013-2015, lighting designer<strong>, </strong>technical director<strong>, </strong>and cameraman.\r\n\r\n<strong>Dust</strong>: Director, Gladys Triana; Producer/DP, James Carman. A video art piece for El Museo del Barrio in New York City.\r\n\r\n&nbsp;\r\n<h3>2014</h3>\r\n<strong>Simple Recipes for Joy and Tribe Gathering</strong>: Producer/Director, James Carman. A book premiere and theatrical performance with <strong><em>Sting</em></strong><em>, <strong>Sharon Gannon</strong></em> and <strong><em>Krishna Das</em></strong><em>.</em>\r\n\r\n&nbsp;\r\n<h3>2013</h3>\r\n<strong>The Hidden Hand</strong>: Producer<strong>/</strong>Director, James Carman, <strong><em>Winner of 5 Awards</em>,</strong> 3 for best documentary. About the phenomenon of extraterrestrial contact. Distributed in North and South America. A bestseller on Amazon Prime and Netflix.\r\n\r\n<strong>PrivCap</strong>: Producer<strong>/</strong>Director, James Carman. A financial TV show shot in Sao Paulo, D.C. and New York City.\r\n\r\n<strong> </strong>\r\n<h3>2012</h3>\r\n<strong>In Solitude:</strong> Director, Gladys Triana; Producer/DP, James Carman. A video art piece for Cintas Museum in Miami.\r\n\r\n&nbsp;\r\n<h3>2011</h3>\r\n<strong>The Sweet Life</strong>: Feature Film. Director, Rocco Simonelli; DP, James Carman.\r\n\r\nA comedy starring <strong><em>Joan Jett</em></strong>, DVD release.\r\n\r\n<strong>Sprite: </strong>Commercial<strong>. </strong>Director, Matthias Clamer<strong>; </strong>DP, James Carman. Animated Spot.\r\n\r\n<strong>Wind Shadows: </strong>Documentary. Director, Carole Ryavec; DP, James Carman. About a wildlife corridor in the Riff Valley of Kenya.\r\n\r\n&nbsp;\r\n<h3>2010</h3>\r\n<strong>Intel/HP Live Beats Series: </strong>TV Show. Lighting Director, James Carman. Highlighting music groups <strong><em>Train</em></strong>, <strong><em>Weezer</em></strong>, and <strong><em>One Republic</em></strong>.\r\n\r\n<strong>LA Zombie: </strong>Feature Film. Director, Bruce LaBruce; DP, James Carman. Zombie spoof starring Francois Sagat. <strong><em>Toronto </em></strong><strong><em>and Locarno Film Festivals.</em></strong>\r\n\r\n<strong>The Glades: </strong>Director, Matthias Clamer<strong>; </strong>DP, James Carman. A&amp;E Chanel, Two commercials to promote the TV show.\r\n\r\n<strong>The Observer:</strong> Director, Gladys Triana; Producer/DP, James Carman. A video art piece for El Museo del Bario in New York City.\r\n\r\n&nbsp;\r\n<h3>2009</h3>\r\n<strong>Diet Coke Style Series: </strong>TV Show<strong>. </strong>Lighting Director, James Carman; Fashion and music show with <strong><em>Heidi Klum, Hilary Duff</em></strong>, <strong><em>Robin Thicke</em></strong>, <strong><em>Edward Norton</em></strong>, <strong><em>Natasha Bedingfield, Stacy Bendet,</em></strong> and<strong><em> Christian Siriano</em></strong>;\r\n\r\n<strong>Siemens, </strong>Commercials. Director, Roman Kuhn; DP, James Carman. Crossing Pictures.\r\n\r\n<strong>Safia</strong>: Commerical. Director, SouadKouninef<strong>; </strong>DPand Editor; James Carman. Cooking oil spot for Ramadan.\r\n\r\n&nbsp;\r\n<h3>2008</h3>\r\n<strong>Otto; or Up With Dead People</strong>: Feature Film. Director, Bruce LaBruce; DP, James Carman.<strong><em> Sundance </em></strong>and <strong><em>Berlin </em></strong><strong><em>Film Festival</em></strong>. Zombie love story. Won <strong><em>Vision Award </em></strong>at the Rio Film Festival and won <strong><em>Award for</em></strong> <strong><em>Best Picture </em></strong>at the Milano G&amp;L Film Fest. Distributed by Strand Releasing.\r\n\r\n<strong>Getty Images: </strong>Stock Images. Producer<strong>/</strong>Director, James Carman, Mathias Clamer; Film and photo content 2005-2008.\r\n\r\n<strong>Blend:</strong> Stock Images. Producer<strong>/</strong>Director, James Carman. Stock photo content from 2007-2009.\r\n\r\n<strong>Juliana Collezione: </strong>Video Lookbook. Producer<strong>/</strong>Director, James Carman. Filmed fashion collections: Fall and Winter.\r\n\r\n<strong>Al Capp</strong>, Documentary. Director, Caitlin Manning; DP and NYC producer, James Carman. About the L’il Abner cartoonist.\r\n\r\n<strong>Juliana Collezione: </strong>Video Lookbook. Producer<strong>/</strong>Director, James Carman. Filmed fashion collections: Fall and Winter.\r\n\r\n<strong> </strong>\r\n<h3>2006</h3>\r\n<strong>Florida Dreams</strong>, German TV Drama. Director, Dieter Kehler, Technical Producer New York unit, James Carman. UFA TV, German TV show set in Florida.\r\n\r\n<strong>White Elephant Hotel</strong>, Commerical. Director/DP, James Carman. The 7th Art.\r\n\r\n&nbsp;\r\n<h3>2005</h3>\r\n<strong>Gisela: </strong>Feature Film. Director, Isabel Stever; DP, James Carman. Story about violent, star-crossed lovers in Bonn<strong><em>. Berlin Film Festival</em></strong>. <strong><em>Award for Best Feature </em></strong>in Crossing Borders Festival, Austria. <strong><em>Award for Best Feature </em></strong>in the Russian Baltic\r\n\r\nDebuts Film Festival.\r\n\r\n<strong>Forever and Always</strong>: German TV Drama. Director, Markus Emboden, Technical Producer New York Unit, James Carman. D.I.E TV.\r\n\r\n<strong>Pfizer Compliance: </strong>Educational videos. Producer, James Carman. Legal Videos.\r\n\r\n<strong>Target</strong>: Commercial. Director, James Carman, Green screen web spot.\r\n\r\n<strong>Untitled</strong>: Art Piece. Director, Rirkrit Travania, DP, James Carman.\r\n\r\n<strong>Autism: </strong>Documentary. Director, Gary Keys; DP, James Carman. About how parents struggle to communicate with their autistic children.\r\n\r\n<strong> </strong>\r\n<h3>2004</h3>\r\n<strong>Raspberry Reich: </strong>Feature Film. Director, Bruce La Bruce, DP, James Carman. Spoof about a group of young radical leftists.<strong><em> Sundance </em></strong><em>and <strong>Berlin </strong></em><strong><em>Film Festival</em></strong> Premiere; Theatrical/video release by Strand Releasing.\r\n\r\n<strong>Washington State Lottery: </strong>Commercial. Director, Glenn Rockowitz, , DP/ Producer, James Carman. Time Traveler Productions, 2 commercials.\r\n\r\n<strong>Paparazzo: </strong>German TV Drama. Director, Stephan Wagner; Technical Producer New York unit, James Carman. Mueller und Seelig Productions;\r\n\r\n<strong>ModeRNE:</strong> Documentary. Director, Miriam Dehne, New York Producer / DP, James Carman. Portrait of the AS4 fashion designers. ARTE / ZDF.\r\n\r\n<strong>Braun: </strong>Commercial. Director/ DP, James Carman; with <strong><em>Heidi Klum</em></strong>.\r\n\r\n<strong>Eruf: </strong>Documentary. Director, Kai Wiesinger; DP, James Carman. About how orthodox Jews go to temple on Sabbath. <strong><em>Berlin Film Festival.</em></strong>\r\n\r\n<strong>Breaking the Rules: </strong>Documentary. Director, Michael Armareda<strong>;</strong> DP, James Carman. <strong><em>Peter Fonda</em></strong> talks about the counter culture of the 60’s.\r\n\r\n<strong>Parenting Magazine</strong>: Commercial. Producer/Director, James Carman; Inkwell and Time Traveler Productions\r\n\r\n<strong>La Lupe</strong>: Documentary. Director, Ela Troyano; DP, James Carman. About the Cuban singer and Queen of Latin Soul. PBS. Won <strong><em>Alma award </em></strong>for Latin Documentaries.\r\n\r\n<strong>The Net</strong>: Documentary. Director, Lutz Dammbeck, DP, James Carman. About the Unabomber. ARTE/ ZDF.\r\n\r\n<strong>Elegy: </strong>Dance Video<strong>. </strong>Director, Ela Troyano; DP, James Carman. Tiffany Mills Dance video at <strong><em>Guggenheim Museum</em></strong>.\r\n\r\n<strong>Pfizer: </strong>Commercial. Director, David Sandbank; DP, James Carman. Promotion of Drugs.\r\n\r\n<strong>Lemurian Legacy:</strong> Director, James Carman<strong>. </strong>Revisionist history in China and Cambodia. Expansions Publishing.\r\n\r\n<strong>Rosenstrausse: </strong>Feature Film. Director, Margareta von Trotta; Technical Producer New York Unit, James Carman. Studio Hamburg.\r\n\r\n<strong>Not in Our Name:</strong> Documentary. Director, Frances Anderson; DP, James Carman. About family members of 9-11 victims.\r\n\r\n&nbsp;\r\n<h3>2001</h3>\r\n<strong>Hacks</strong>: Feature Film. Director, Glenn Rockowitz; Producer/DP, James Carman. Comedy about bad stand-up comedians. Smiggle Films.\r\n\r\n<strong>MTV Networks: </strong>Director, Matt Heron; DP, James Carman. Table top food spot with MTV stewardess.\r\n\r\n<strong>Bloodlines</strong>: Feature Film. Director, Darryl De Angelo; DP, James Carman. About the Mafia and secret societies.\r\n\r\n<strong>Queer as Fuck, The Trey Billings Show: </strong>Director, David Briggs; DP, James Carman. Gay comedy. DVD release.\r\n\r\n<strong>The Night Larry Kramer Kissed Me</strong>: Feature Film. Director, Tim Kirkland; DP, James Carman. An adaptation of the play. Theatrical/DVD release by Film Next.\r\n\r\n<strong>Media Metrics</strong>: Commercial. Director, Michael Bennett; DP, James Carman.\r\n\r\n<strong>3D Orchestrate</strong>: Commercial. Director, Rich Rickaby; DP, James Carman. Animation software spot.\r\n\r\n<strong>Nancy and Frank</strong>: Feature Film. Director, Wolf Grimm; New York Unit DP/ Aerial cinematography, James Carman. About forlorn love. German Theatrical Release.\r\n\r\n<strong>Maine International Film Workshops</strong>: James Carman taught Cinematography and Videography.\r\n\r\n&nbsp;\r\n<h3>1999</h3>\r\n<strong>Lucent Technologies</strong>: Commercial. Producer/Director/DP, James Carman. Spot about broadband Media.\r\n\r\n<strong>WebMD</strong>: Commercial. Director, Jason Kelly; DP, James Carman. Curious Pictures.\r\n\r\n<strong>Big Money Hustlas</strong>: Feature Film. John Cafiero, DP, James Carman. Comedy with the Insane Clown Posse and the Jerky Boys. Produced by Island Records. DVD Release.\r\n\r\n<strong>Sparta: </strong>Commercial. Director, <strong><em>Terry Richardson</em></strong>, DP, James Carman. Spot for London clothing store, ICB.\r\n\r\n<strong>Sturmzeit</strong>: TV Drama. Director, Bernd Boehlich; Technical Producer New York unit, James Carman. Ziegler Films.\r\n\r\n&nbsp;\r\n<h3>1998</h3>\r\n<strong>Skin Flick: </strong>Feature Film. Director, Bruce Labruce; DP, James Carman. About a gang of skin heads in London. <strong><em>Rotterdam and Edinburough Film Festivals</em></strong>. Theatrical Release by Strand.\r\n\r\n<strong>The Floys of Neighorly Lane</strong>: Feature Film Short. Director, Danielle Farnaldo;\r\n\r\nDP, James Carman. Can you trust your neighbors? <strong><em>1<sup>st</sup> prize in Ft. Lauderdale Film Festival</em>, </strong>and<strong> <em>1<sup>st</sup> prize Marco Island Fesival.</em></strong>\r\n\r\n<strong>Guess?: </strong>Commercial. DP, James Carman. Fashion spot with supermodel <strong><em>Laetitia Casta</em></strong>.\r\n\r\n<strong>Asana; Sacred Dance of the Yogi’s:</strong> Documentary. Producer /Director /DP, James Carman. A yoga dance film starring Sharon Gannon and David Life. Distributed by Mystic Fire Video and Jivamukti.\r\n\r\n<strong>“Que Habria Sido de Mi”:</strong> Music Video. DP, James Carman. Singer, Victor Manuel; Salsa music!\r\n\r\n&nbsp;\r\n<h3>1997</h3>\r\n<strong>Circle’s Short Circuit: </strong>Feature Film. Director, Caspar Strake; DP, James Carman. <strong><em>MOMA</em></strong> screenings.\r\n\r\n<strong>Latin Boys Go to Hell</strong>: Feature Film. Director, Ela Troyano, DP, James Carman. <strong><em>Premiere Berlin and Toronto Film Festival Premieres</em></strong>. Theatrical/video release by Strand Releasing\r\n\r\n<strong>What is Yoga?</strong>: Documentary. Director, Mary Bosakowski; DP, James Carman. About the philosophy of yoga with <strong><em>Willem Dafoe</em>. </strong>Distributed by Mystic Fire Video and Jivamukti.\r\n\r\n&nbsp;\r\n<h3>1996</h3>\r\n<strong>Misogyny</strong>: Music Video, Band:Rusty, Director, Bruce La Bruce; DP, James Carman.\r\n<strong><em>Awarded best conceptual Music Video </em></strong><strong><em>‘96 </em></strong><em>for More Music Canada.</em>\r\n\r\n<em> </em>\r\n<h3>1995</h3>\r\n<strong>BLACK SAINT</strong><em>:</em> Writer. Feature length script about a violent saint. Written for Volkenborn Productions.\r\n\r\n<strong>The Marriage Makers</strong>: Documentary. Director, Miriam Dehne; DP, James Carman. About the business of marriage. ARTE / ZDF.\r\n\r\n<strong>Fascist</strong>: Feature Film Short. Director, Jürgen Brünning; DP, James Carman. <strong><em>First prize Berlin Video Festival.</em></strong>\r\n\r\n<strong>Blood: </strong>Feature Film Short. Director, Jürgen Brünning; DP, James Carman. A young woman is addicted.\r\n\r\n<strong>The Last Picture: </strong>Feature Film Short. Director, Bulent Akinci; DP, James Carman. About a nude man’s surreal journey. <strong><em>Critics Prize Oberhausen Film Festival.</em></strong>\r\n\r\n<strong>Open Light</strong>: Feature Film Short. Producer/Director, James Carman. An artistic exploration into freedom after facing a nervous breakdown. <strong><em>Award for Artistic Merit, Berlin Interfilm Festival.</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n<h3>1994</h3>\r\n<strong>The Last Baron</strong>: Writer. Film treatment written for <strong><em>Lars Van Trier</em></strong> and the Coproduction Office about Baron von Ungern-Sternberg who was the last Romanov general.\r\n\r\n&nbsp;\r\n<h3>1993</h3>\r\n<strong>Think Tank:</strong> Feature Film Short. Producer/Director, James Carman. <strong><em>Locarno Film Festival Premiere. </em></strong>A product development creative has a nervous breakdown.\r\n\r\n<strong>Mind is the Medium</strong>: Feature Film Short. Producer/Director, James Carman. Mind creates the message.\r\n\r\n<strong>Headstrong</strong>: Writer. A feature length comedy about an advertising agency.\r\n\r\n&nbsp;\r\n<h3>1991</h3>\r\n<strong>Three Thousand Years Gravity</strong>: Feature Film Short. Producer/Director, James Carman; The journey is the path. <strong><em>Berlin Film Festival Premiere, Locarno Film Festival.</em></strong>\r\n\r\n&nbsp;\r\n<h3>1990</h3>\r\n<strong>Claw Your Eye</strong>: Feature Film Short. Producer/Director, James Carman. An exploration into the nature of perception. <strong><em>Berlin Film Festival Premiere,</em></strong> and<strong><em> Sacramento Film Festival Silver Star Award.</em></strong>\r\n\r\n<strong> </strong>\r\n<h3>1988</h3>\r\n<strong>Outsider\'s Overture</strong>: Rock Opera. Composer, James Carman. An opera about societal outsiders. Commissioned and performed for the European Culture Capital Berlin.\r\n\r\n&nbsp;\r\n<h3>1985</h3>\r\n<strong>El Tunel</strong>: Director and Composer, James Carman. Experimental video art. Shown at the Austin and Kansas City Electronic Music Festivals.\r\n\r\n<strong>Empty Every Night</strong>: Director and Composer. The secrets of life are repeated every night.\r\n\r\n&nbsp;\r\n<h3><strong><span style=\"text-decoration: underline;\">EDUCATION</span></strong></h3>\r\nBA from the University of Texas\r\n\r\nMasters studies in film, San Francisco State University\r\n\r\nGuest Filmmaker at the German Film Academy Berlin\r\n\r\n&nbsp;\r\n<h3><strong><span style=\"text-decoration: underline;\">SKILLS</span></strong></h3>\r\n<strong>Languages:</strong> English, German and Spanish fluency\r\n\r\n<strong>Technical:</strong> All Cameras, Photography, Set Lighting, FCP 7, FCPX, Adobe Premiere, Photoshop\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<h3><strong><span style=\"text-decoration: underline;\">AFFILIATIONS</span></strong></h3>\r\nPGA; The Producers Guild of America\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'About James', '', 'publish', 'open', 'open', '', 'about-james', '', '', '2016-02-27 13:50:57', '2016-02-27 18:50:57', '', 0, 'http://www.jamescarman.net/wp/?page_id=130', 0, 'page', '', 0),
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(354, 2, '2015-03-12 10:07:05', '2015-03-12 14:07:05', '<h2><strong>HAIKU’S I LOVE</strong></h2>\n&nbsp;\n\n&nbsp;\n\n<strong>BASHO:</strong>\n\n&nbsp;\n\nYear after year\n\non the monkey’s face\n\na monkey face\n\n&nbsp;\n\nThe winter sun---\n\non the horse’s back\n\nmy frozen shadow.\n\n&nbsp;\n\nWintry wind---\n\npassing a man\n\nwith a swollen face\n\n&nbsp;\n\nA group of them\n\ngazing at the moon,\n\nnot one face beautiful\n\n&nbsp;\n\nTeeth sensitive to the sand\n\nin salad greens---\n\nI’m getting old\n\n&nbsp;\n\nHIS DEATH POEM\n\n&nbsp;\n\nSick on a journey\n\nmy dreams wander\n\nthe withered fields\n\n&nbsp;\n\n<strong>BUSON:</strong>\n\n&nbsp;\n\nThat snail---\n\none long horn, one short,\n\nwhat’s on his mind?\n\n&nbsp;\n\nThe short night---\n\nwaves beating in,\n\nan abandoned fire.\n\n&nbsp;\n\nI go,\n\nyou stay;\n\ntwo autumns.\n\n&nbsp;\n\nBats flitting here and there;\n\nthe woman across the street\n\nglances this way.\n\n&nbsp;\n\nBy moonlight\n\nthe blossoming plum\n\nis a tree in winter.\n\n&nbsp;\n\nThe old man\n\ncutting barley---\n\nbent like a sickle.\n\n&nbsp;\n\nPlum blossoms here and there\n\nit’s good to go north,\n\ngood to go south.\n\n&nbsp;\n\nA gust of wind\n\nwhitens\n\nthe water birds.\n\n&nbsp;\n\nA tethered horse\n\nsnow\n\nin both stirrups.\n\n&nbsp;\n\nHIS DEATH POEM\n\n&nbsp;\n\nIn the white plum blossoms\n\nnight to the next day\n\njust turning.\n\n<strong> </strong>\n\n<strong> </strong>\n\n<strong>ISSA:</strong>\n\n<strong> </strong>\n\n<strong> </strong>\n\n<strong>            </strong>New Year’s Day---\n\neverything is in blossom!\n\nI feel about average.\n\n&nbsp;\n\nThe snow is melting\n\nand the village is flooded\n\nwith children.\n\n&nbsp;\n\nDon’t worry, spiders\n\nI keep house\n\ncasually.\n\n&nbsp;\n\nClimb Mount Fuji,\n\nO snail,\n\nbut slowly, slowly.\n\n&nbsp;\n\nMosquito at my ear---\n\ndoes it think\n\nI’m deaf?\n\n&nbsp;\n\nThis moth saw brightness\n\nin a woman’s chamber---\n\nburnt to a crisp.\n\n&nbsp;\n\nEven with insects---\n\nsome can sing,\n\nsome can’t.\n\n&nbsp;\n\nEven a fleabite,\n\nwhen she’s young,\n\nis beautiful.\n\n&nbsp;\n\nOn my portrait:\n\n&nbsp;\n\nEven considered\n\nin the most favorable light,\n\nhe looks cold.\n\n&nbsp;\n\n&nbsp;\n\nFleas in my hut,\n\nit’s my fault\n\nyou look so skinny.\n\n&nbsp;\n\nThe old dog---\n\nlistening for the songs\n\nof earthworms?\n\n&nbsp;\n\nThe holes in the wall\n\nplay the flute\n\nthis autumn evening.\n\n&nbsp;\n\nFrom now on,\n\nit’s all clear profit,\n\nevery sky.\n\n&nbsp;\n\nThis stupid world---\n\nskinny mosquitoes, skinny fleas,\n\nskinny children.\n\n&nbsp;\n\nInsects on a bough\n\nfloating downriver,\n\nstill singing.\n\n&nbsp;\n\n&nbsp;\n\nHIS DEATH POEM\n\n&nbsp;\n\nA bath when you’re born,\n\na bath when you die,\n\nhow stupid.\n\n&nbsp;\n\n&nbsp;\n\nJames Carman\n\n&nbsp;\n\nKitty crunching crackers\n\nInto meat powder paste\n\nLapping milk puddle\n\n(whisker touches milk puddle)\n\nPink tongue\n\n&nbsp;\n\nWater Buffalo grazes\n\nrice paddy\n\nCrunchy Pudding\nhigh on a journey\nmy tiger soul flies\nfrozen tundra fields\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\nKosai\n\n&nbsp;\n\nAutumn ends\n\nHe didn’t leave behind\n\nEven a snore\n\n&nbsp;\n\n&nbsp;\n\nMumon Gensen\n\n&nbsp;\n\nLife is an ever-rolling wheel\n\nAnd everyday is the right one\n\nHe who recites poems at his death\n\nAdds frost to snow\n\n&nbsp;\n\nBokusui\n\n&nbsp;\n\nA parting word?\n\nThe melting snow is\n\nOdorless\n\n&nbsp;\n\n&nbsp;\n\nJames Carman\n\n&nbsp;\n\nEven though moth eaten\n\nIt’s still warm enough\n\nTo die\n\n&nbsp;\n\n&nbsp;\n\nSeaside resort teepee\n\nFat Russian belly\n\nfloats Hari Krishna skis\n\n&nbsp;\n\nKitty crunching crackers\n\nInto meat powder paste\n\nLapping milk puddle\n\n(whisker touches milk puddle)\n\nPink tongue\n\n&nbsp;\n\nWater Buffalo grazes\n\nrice paddy\n\nCrunchy Pudding\nhigh on a journey\nmy tiger soul flies\nfrozen tundra fields\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;', 'Haiku', '', 'publish', 'open', 'open', '', 'haiku', '', '', '2015-03-12 10:07:05', '2015-03-12 14:07:05', '', 0, 'http://www.jamescarman.net/?page_id=354', 0, 'page', '', 0),
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(444, 2, '2015-06-02 11:02:43', '2015-06-02 15:02:43', 'James can be hired as a Creative Producer, Director and/or a Director of Photography.\r\n\r\n&nbsp;\r\n\r\n<strong>Services:</strong>\r\n\r\nHire a <strong>Creative Producer:</strong>\r\n\r\nJames can be tasked with originating an original concept or fleshing out an existing idea.\r\n<ol>\r\n	<li>He can write a one page concept sheet, a treatment, a voice over or a script.</li>\r\n	<li>He can also pull together all the diverse elements a project needs like: Crew, casting, locations, and equipment.</li>\r\n	<li>He can oversee the preproduction, production and post production aspects of a project.</li>\r\n	<li>He can make deals with rental,  post houses and distributors.</li>\r\n</ol>\r\n\r\n<hr />\r\n\r\nHis last film, <strong>The Hidden Hand; Alien Contact and the Government Cover-Up</strong>, (which he produced, directed and shot) won 5 awards and is a best selling documentary on Netflix and Amazon Prime. It has international distribution.\r\n\r\nAs a <strong>Director</strong>,\r\n<ol>\r\n	<li>James can write a script or edit your existing script.</li>\r\n	<li>He can cast, direct actors and stage the scenes for camera.</li>\r\n	<li style=\"text-align: left;\">He can give your film a distinct vision in terms of content, cohesiveness and artistic beauty.</li>\r\n</ol>\r\nAs a <strong>Director of Photography</strong>,\r\n<ol>\r\n	<li>Give your project a beautiful, stylish look.</li>\r\n	<li>Hire the technical crew and equipment needed for the shoot.</li>\r\n	<li>Break down the script into a shot list and help block the scenes.</li>\r\n	<li>Oversee the the film\'s color correction and finishing.</li>\r\n</ol>\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n\r\nJames has shot many features, documentaries and commercials. Five features of the director Bruce LaBruce were shown at the MOMA in April/May 2015. James has also had 3 other films shown at the MOMA. He has had his films shown at film festivals in Cannes, Berlin, Sundance, Toronto and Locarno.\r\n\r\n&nbsp;\r\n\r\nIf you would like to hire James or inquire about his services, then please contact him at:\r\n\r\nJames@TimeTravelerArts.com', 'Hire  James', '', 'publish', 'open', 'open', '', 'hire-james', '', '', '2016-02-27 13:48:09', '2016-02-27 18:48:09', '', 0, 'http://www.jamescarman.net/?page_id=444', 0, 'page', '', 0),
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(447, 2, '2015-06-02 11:13:55', '2015-06-02 15:13:55', '<div align=\"center\">\n<iframe src=\"https://www.youtube.com/embed/T4SppE4WKkQ?rel=0&amp;showinfo=0\" width=\"853\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\n</div>', 'DP Reel', '', 'publish', 'open', 'open', '', 'dp-reel', '', '', '2015-06-02 11:13:55', '2015-06-02 15:13:55', '', 0, 'http://www.jamescarman.net/?page_id=447', 0, 'page', '', 0),
(107, 2, '2014-09-06 09:52:39', '2014-09-06 08:52:39', 'The Museum of Modern Art is having a retrospective of Bruce LaBruce\'s oeuvre. The five feature films where James collaborated with Bruce as his cinematographer will play at the MOMA during the <a href=\"https://www.moma.org/visit/calendar/films/1566\" target=\"_blank\">Bruce LaBruce retrospective</a> starting on April 23rd.\r\n\r\nThe film showtimes are:\r\n\r\n&nbsp;\r\n\r\n<strong>Hustler White </strong>\r\n\r\n<strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23555\">Monday, April 27, 2015, 8:00 p.m., Theater 1, T1 (Introduction and post-screening discussion with Bruce La Bruce)</a></strong>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23558\">Tuesday, April 28, 2015, 4:00 p.m., Theater 1, T1</a></strong></div>\r\n<div class=\"occurrence\"></div>\r\n<div class=\"occurrence\"></div>\r\n&nbsp;\r\n\r\n<strong>Skin Flic</strong>\r\n\r\n<strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23563\">Friday, May 1, 2015, 7:00 p.m., Theater 2, T2 </a></strong>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23565\">Saturday, May 2, 2015, 1:30 p.m., Theater 2, T2</a></strong></div>\r\n<div class=\"occurrence\"></div>\r\n<div class=\"occurrence\"></div>\r\n&nbsp;\r\n\r\n<strong>The Raspberry Reich</strong>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23557\">Tuesday, April 28, 2015, 7:00 p.m., Theater 2, T2 (Introduction and post-screening discussion with Bruce La Bruce)</a></strong></div>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23559\">Saturday, May 2, 2015, 7:30 p.m., Theater 2, T2</a></strong></div>\r\n<div class=\"occurrence\"></div>\r\n<div class=\"occurrence\"></div>\r\n&nbsp;\r\n\r\n<strong>Otto; Or Up with Dead People</strong>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23560\">Wednesday, April 29, 2015, 4:00 p.m., Theater 2, T2 </a></strong></div>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23561\">Thursday, April 30, 2015, 7:00 p.m., Theater 2, T2 (Introduced By Bruce Benderson. Post-screening discussion with Bruce LaBruce)</a></strong></div>\r\n<div class=\"occurrence\"></div>\r\n<div class=\"occurrence\"></div>\r\n&nbsp;\r\n\r\n<strong>LA Zombie</strong>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23562\">Wednesday, April 29, 2015, 7:00 p.m., Theater 2, T2 </a></strong></div>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23564\">Thursday, April 30, 2015, 4:00 p.m., Theater 2, T2 (Introduction and post-screening discussion with Bruce La Bruce)</a></strong></div>\r\n&nbsp;\r\n\r\nPlease check them out!\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'Five films James lensed will play at the MOMA / Bruce La Bruce Retrospective', '', 'publish', 'open', 'open', '', 'post-example-01', '', '', '2016-02-27 13:55:23', '2016-02-27 18:55:23', '', 0, 'http://localhost:8888/fargo-demo/?p=32', 0, 'post', '', 0);
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(525, 1, '2016-02-27 13:50:57', '2016-02-27 18:50:57', '&nbsp;\r\n\r\n<img class=\"aligncenter  wp-image-523\" src=\"http://jamescarman.website/wp-content/uploads/2015/03/James_Carman-Headshot-SQ-300x300.png\" alt=\"James_Carman-Headshot-SQ-300x300\" width=\"215\" height=\"215\" />\r\n\r\nJames Carman is an accomplished New York based creative producer and director. He has also worked as a cinematographer and photographer since 1989.\r\n\r\n<strong>James is inspired by the worldly and otherworldly.</strong> <strong>He creates content that looks behind the veil of consensual reality, examining what most are ready to ignore. His art is for the curious and brave. It is for those who want humanity to evolve spiritually. </strong>\r\n\r\nHis feature length documentary, <a title=\"The Hidden Hand\" href=\"http://www.hiddenhandthemovie.com/\" target=\"_blank\"><strong>The Hidden Hand; Alien Contact and the Government Cover-up</strong></a>, has won 5 awards and is distributed internationally. It was on both Amazon Prime’s and Netflix’s best selling documentary lists for 3 weeks. On Netflix over 210,000 people have rated or commented on the film.\r\n\r\nJames has shot many features films that have been shown in festivals and theaters around the globe (Sundance, Cannes, Berlin, Toronto film festivals and the MOMA in New York). His short films have premiered at the Berlin Film Festival and at the Locarno Film Festival. James is a member of the Producer’s Guild and is currently producing a TV series, <a title=\"Super Concious\" href=\"http://SUPERCONSCIOUSTHEMOVIE.COM/\" target=\"_blank\"><strong>Superconscious</strong></a>. To experience James\' newest productions, sign up for his mailing list where you can receive his exclusive updates\r\n\r\n&nbsp;\r\n<h3 style=\"text-align: center;\">JAMES CARMAN’S RESUME</h3>\r\n<h3>2016</h3>\r\n<strong>Fluid</strong>Q: Dir. Shu Lea Cheang, DP for dystopian Sci-Fi Feature about addictive disease.\r\n\r\n&nbsp;\r\n<h3>2015</h3>\r\n<strong>MOMA</strong>: DP; Retrospective of Bruce La Bruce, 5 films screened in April and May.\r\n\r\n<strong>Williams Agency</strong>: Producer, DP; Commercial for 432 Park Pl. w/ <strong><em>Jean Novelle</em></strong>.\r\n\r\n<strong>Williams Agency</strong>: Producer, DP; Commercial for Steiner Film Studios.\r\n\r\n<strong>Williams Agency</strong>: Producer, Photog., DP; Commercial Sugar Beach Resort. St. Lucia.\r\n\r\n<strong>Williams Agency</strong>: Photographer; Four Seasons Hotel, Palm Beach, Fl.\r\n\r\n<strong>Hollywood and Vine, </strong>Director, Matt Jacobs; DP for a feature length comedy set in LA.\r\n\r\n<strong>MOMA</strong>; Five narrative films screened at the Museum of Modern Art for the Bruce LaBruce retrospective.\r\n\r\n<b>Soho Properties</b>; Commercial for a luxury high-rise tower at Park 51. Director, Chez Costanzo; DP, James Carman\r\n\r\n<strong>Thomson Reuters</strong>: 2001-2015, lighting designer, cameraman, and editor.\r\n\r\n<strong>The United Nations</strong>: 2013-2015, lighting designer<strong>, </strong>technical director<strong>, </strong>and cameraman.\r\n\r\n<strong>Dust</strong>: Director, Gladys Triana; Producer/DP, James Carman. A video art piece for El Museo del Barrio in New York City.\r\n\r\n&nbsp;\r\n<h3>2014</h3>\r\n<strong>Simple Recipes for Joy and Tribe Gathering</strong>: Producer/Director, James Carman. A book premiere and theatrical performance with <strong><em>Sting</em></strong><em>, <strong>Sharon Gannon</strong></em> and <strong><em>Krishna Das</em></strong><em>.</em>\r\n\r\n&nbsp;\r\n<h3>2013</h3>\r\n<strong>The Hidden Hand</strong>: Producer<strong>/</strong>Director, James Carman, <strong><em>Winner of 5 Awards</em>,</strong> 3 for best documentary. About the phenomenon of extraterrestrial contact. Distributed in North and South America. A bestseller on Amazon Prime and Netflix.\r\n\r\n<strong>PrivCap</strong>: Producer<strong>/</strong>Director, James Carman. A financial TV show shot in Sao Paulo, D.C. and New York City.\r\n\r\n<strong> </strong>\r\n<h3>2012</h3>\r\n<strong>In Solitude:</strong> Director, Gladys Triana; Producer/DP, James Carman. A video art piece for Cintas Museum in Miami.\r\n\r\n&nbsp;\r\n<h3>2011</h3>\r\n<strong>The Sweet Life</strong>: Feature Film. Director, Rocco Simonelli; DP, James Carman.\r\n\r\nA comedy starring <strong><em>Joan Jett</em></strong>, DVD release.\r\n\r\n<strong>Sprite: </strong>Commercial<strong>. </strong>Director, Matthias Clamer<strong>; </strong>DP, James Carman. Animated Spot.\r\n\r\n<strong>Wind Shadows: </strong>Documentary. Director, Carole Ryavec; DP, James Carman. About a wildlife corridor in the Riff Valley of Kenya.\r\n\r\n&nbsp;\r\n<h3>2010</h3>\r\n<strong>Intel/HP Live Beats Series: </strong>TV Show. Lighting Director, James Carman. Highlighting music groups <strong><em>Train</em></strong>, <strong><em>Weezer</em></strong>, and <strong><em>One Republic</em></strong>.\r\n\r\n<strong>LA Zombie: </strong>Feature Film. Director, Bruce LaBruce; DP, James Carman. Zombie spoof starring Francois Sagat. <strong><em>Toronto </em></strong><strong><em>and Locarno Film Festivals.</em></strong>\r\n\r\n<strong>The Glades: </strong>Director, Matthias Clamer<strong>; </strong>DP, James Carman. A&amp;E Chanel, Two commercials to promote the TV show.\r\n\r\n<strong>The Observer:</strong> Director, Gladys Triana; Producer/DP, James Carman. A video art piece for El Museo del Bario in New York City.\r\n\r\n&nbsp;\r\n<h3>2009</h3>\r\n<strong>Diet Coke Style Series: </strong>TV Show<strong>. </strong>Lighting Director, James Carman; Fashion and music show with <strong><em>Heidi Klum, Hilary Duff</em></strong>, <strong><em>Robin Thicke</em></strong>, <strong><em>Edward Norton</em></strong>, <strong><em>Natasha Bedingfield, Stacy Bendet,</em></strong> and<strong><em> Christian Siriano</em></strong>;\r\n\r\n<strong>Siemens, </strong>Commercials. Director, Roman Kuhn; DP, James Carman. Crossing Pictures.\r\n\r\n<strong>Safia</strong>: Commerical. Director, SouadKouninef<strong>; </strong>DPand Editor; James Carman. Cooking oil spot for Ramadan.\r\n\r\n&nbsp;\r\n<h3>2008</h3>\r\n<strong>Otto; or Up With Dead People</strong>: Feature Film. Director, Bruce LaBruce; DP, James Carman.<strong><em> Sundance </em></strong>and <strong><em>Berlin </em></strong><strong><em>Film Festival</em></strong>. Zombie love story. Won <strong><em>Vision Award </em></strong>at the Rio Film Festival and won <strong><em>Award for</em></strong> <strong><em>Best Picture </em></strong>at the Milano G&amp;L Film Fest. Distributed by Strand Releasing.\r\n\r\n<strong>Getty Images: </strong>Stock Images. Producer<strong>/</strong>Director, James Carman, Mathias Clamer; Film and photo content 2005-2008.\r\n\r\n<strong>Blend:</strong> Stock Images. Producer<strong>/</strong>Director, James Carman. Stock photo content from 2007-2009.\r\n\r\n<strong>Juliana Collezione: </strong>Video Lookbook. Producer<strong>/</strong>Director, James Carman. Filmed fashion collections: Fall and Winter.\r\n\r\n<strong>Al Capp</strong>, Documentary. Director, Caitlin Manning; DP and NYC producer, James Carman. About the L’il Abner cartoonist.\r\n\r\n<strong>Juliana Collezione: </strong>Video Lookbook. Producer<strong>/</strong>Director, James Carman. Filmed fashion collections: Fall and Winter.\r\n\r\n<strong> </strong>\r\n<h3>2006</h3>\r\n<strong>Florida Dreams</strong>, German TV Drama. Director, Dieter Kehler, Technical Producer New York unit, James Carman. UFA TV, German TV show set in Florida.\r\n\r\n<strong>White Elephant Hotel</strong>, Commerical. Director/DP, James Carman. The 7th Art.\r\n\r\n&nbsp;\r\n<h3>2005</h3>\r\n<strong>Gisela: </strong>Feature Film. Director, Isabel Stever; DP, James Carman. Story about violent, star-crossed lovers in Bonn<strong><em>. Berlin Film Festival</em></strong>. <strong><em>Award for Best Feature </em></strong>in Crossing Borders Festival, Austria. <strong><em>Award for Best Feature </em></strong>in the Russian Baltic\r\n\r\nDebuts Film Festival.\r\n\r\n<strong>Forever and Always</strong>: German TV Drama. Director, Markus Emboden, Technical Producer New York Unit, James Carman. D.I.E TV.\r\n\r\n<strong>Pfizer Compliance: </strong>Educational videos. Producer, James Carman. Legal Videos.\r\n\r\n<strong>Target</strong>: Commercial. Director, James Carman, Green screen web spot.\r\n\r\n<strong>Untitled</strong>: Art Piece. Director, Rirkrit Travania, DP, James Carman.\r\n\r\n<strong>Autism: </strong>Documentary. Director, Gary Keys; DP, James Carman. About how parents struggle to communicate with their autistic children.\r\n\r\n<strong> </strong>\r\n<h3>2004</h3>\r\n<strong>Raspberry Reich: </strong>Feature Film. Director, Bruce La Bruce, DP, James Carman. Spoof about a group of young radical leftists.<strong><em> Sundance </em></strong><em>and <strong>Berlin </strong></em><strong><em>Film Festival</em></strong> Premiere; Theatrical/video release by Strand Releasing.\r\n\r\n<strong>Washington State Lottery: </strong>Commercial. Director, Glenn Rockowitz, , DP/ Producer, James Carman. Time Traveler Productions, 2 commercials.\r\n\r\n<strong>Paparazzo: </strong>German TV Drama. Director, Stephan Wagner; Technical Producer New York unit, James Carman. Mueller und Seelig Productions;\r\n\r\n<strong>ModeRNE:</strong> Documentary. Director, Miriam Dehne, New York Producer / DP, James Carman. Portrait of the AS4 fashion designers. ARTE / ZDF.\r\n\r\n<strong>Braun: </strong>Commercial. Director/ DP, James Carman; with <strong><em>Heidi Klum</em></strong>.\r\n\r\n<strong>Eruf: </strong>Documentary. Director, Kai Wiesinger; DP, James Carman. About how orthodox Jews go to temple on Sabbath. <strong><em>Berlin Film Festival.</em></strong>\r\n\r\n<strong>Breaking the Rules: </strong>Documentary. Director, Michael Armareda<strong>;</strong> DP, James Carman. <strong><em>Peter Fonda</em></strong> talks about the counter culture of the 60’s.\r\n\r\n<strong>Parenting Magazine</strong>: Commercial. Producer/Director, James Carman; Inkwell and Time Traveler Productions\r\n\r\n<strong>La Lupe</strong>: Documentary. Director, Ela Troyano; DP, James Carman. About the Cuban singer and Queen of Latin Soul. PBS. Won <strong><em>Alma award </em></strong>for Latin Documentaries.\r\n\r\n<strong>The Net</strong>: Documentary. Director, Lutz Dammbeck, DP, James Carman. About the Unabomber. ARTE/ ZDF.\r\n\r\n<strong>Elegy: </strong>Dance Video<strong>. </strong>Director, Ela Troyano; DP, James Carman. Tiffany Mills Dance video at <strong><em>Guggenheim Museum</em></strong>.\r\n\r\n<strong>Pfizer: </strong>Commercial. Director, David Sandbank; DP, James Carman. Promotion of Drugs.\r\n\r\n<strong>Lemurian Legacy:</strong> Director, James Carman<strong>. </strong>Revisionist history in China and Cambodia. Expansions Publishing.\r\n\r\n<strong>Rosenstrausse: </strong>Feature Film. Director, Margareta von Trotta; Technical Producer New York Unit, James Carman. Studio Hamburg.\r\n\r\n<strong>Not in Our Name:</strong> Documentary. Director, Frances Anderson; DP, James Carman. About family members of 9-11 victims.\r\n\r\n&nbsp;\r\n<h3>2001</h3>\r\n<strong>Hacks</strong>: Feature Film. Director, Glenn Rockowitz; Producer/DP, James Carman. Comedy about bad stand-up comedians. Smiggle Films.\r\n\r\n<strong>MTV Networks: </strong>Director, Matt Heron; DP, James Carman. Table top food spot with MTV stewardess.\r\n\r\n<strong>Bloodlines</strong>: Feature Film. Director, Darryl De Angelo; DP, James Carman. About the Mafia and secret societies.\r\n\r\n<strong>Queer as Fuck, The Trey Billings Show: </strong>Director, David Briggs; DP, James Carman. Gay comedy. DVD release.\r\n\r\n<strong>The Night Larry Kramer Kissed Me</strong>: Feature Film. Director, Tim Kirkland; DP, James Carman. An adaptation of the play. Theatrical/DVD release by Film Next.\r\n\r\n<strong>Media Metrics</strong>: Commercial. Director, Michael Bennett; DP, James Carman.\r\n\r\n<strong>3D Orchestrate</strong>: Commercial. Director, Rich Rickaby; DP, James Carman. Animation software spot.\r\n\r\n<strong>Nancy and Frank</strong>: Feature Film. Director, Wolf Grimm; New York Unit DP/ Aerial cinematography, James Carman. About forlorn love. German Theatrical Release.\r\n\r\n<strong>Maine International Film Workshops</strong>: James Carman taught Cinematography and Videography.\r\n\r\n&nbsp;\r\n<h3>1999</h3>\r\n<strong>Lucent Technologies</strong>: Commercial. Producer/Director/DP, James Carman. Spot about broadband Media.\r\n\r\n<strong>WebMD</strong>: Commercial. Director, Jason Kelly; DP, James Carman. Curious Pictures.\r\n\r\n<strong>Big Money Hustlas</strong>: Feature Film. John Cafiero, DP, James Carman. Comedy with the Insane Clown Posse and the Jerky Boys. Produced by Island Records. DVD Release.\r\n\r\n<strong>Sparta: </strong>Commercial. Director, <strong><em>Terry Richardson</em></strong>, DP, James Carman. Spot for London clothing store, ICB.\r\n\r\n<strong>Sturmzeit</strong>: TV Drama. Director, Bernd Boehlich; Technical Producer New York unit, James Carman. Ziegler Films.\r\n\r\n&nbsp;\r\n<h3>1998</h3>\r\n<strong>Skin Flick: </strong>Feature Film. Director, Bruce Labruce; DP, James Carman. About a gang of skin heads in London. <strong><em>Rotterdam and Edinburough Film Festivals</em></strong>. Theatrical Release by Strand.\r\n\r\n<strong>The Floys of Neighorly Lane</strong>: Feature Film Short. Director, Danielle Farnaldo;\r\n\r\nDP, James Carman. Can you trust your neighbors? <strong><em>1<sup>st</sup> prize in Ft. Lauderdale Film Festival</em>, </strong>and<strong> <em>1<sup>st</sup> prize Marco Island Fesival.</em></strong>\r\n\r\n<strong>Guess?: </strong>Commercial. DP, James Carman. Fashion spot with supermodel <strong><em>Laetitia Casta</em></strong>.\r\n\r\n<strong>Asana; Sacred Dance of the Yogi’s:</strong> Documentary. Producer /Director /DP, James Carman. A yoga dance film starring Sharon Gannon and David Life. Distributed by Mystic Fire Video and Jivamukti.\r\n\r\n<strong>“Que Habria Sido de Mi”:</strong> Music Video. DP, James Carman. Singer, Victor Manuel; Salsa music!\r\n\r\n&nbsp;\r\n<h3>1997</h3>\r\n<strong>Circle’s Short Circuit: </strong>Feature Film. Director, Caspar Strake; DP, James Carman. <strong><em>MOMA</em></strong> screenings.\r\n\r\n<strong>Latin Boys Go to Hell</strong>: Feature Film. Director, Ela Troyano, DP, James Carman. <strong><em>Premiere Berlin and Toronto Film Festival Premieres</em></strong>. Theatrical/video release by Strand Releasing\r\n\r\n<strong>What is Yoga?</strong>: Documentary. Director, Mary Bosakowski; DP, James Carman. About the philosophy of yoga with <strong><em>Willem Dafoe</em>. </strong>Distributed by Mystic Fire Video and Jivamukti.\r\n\r\n&nbsp;\r\n<h3>1996</h3>\r\n<strong>Misogyny</strong>: Music Video, Band:Rusty, Director, Bruce La Bruce; DP, James Carman.\r\n<strong><em>Awarded best conceptual Music Video </em></strong><strong><em>‘96 </em></strong><em>for More Music Canada.</em>\r\n\r\n<em> </em>\r\n<h3>1995</h3>\r\n<strong>BLACK SAINT</strong><em>:</em> Writer. Feature length script about a violent saint. Written for Volkenborn Productions.\r\n\r\n<strong>The Marriage Makers</strong>: Documentary. Director, Miriam Dehne; DP, James Carman. About the business of marriage. ARTE / ZDF.\r\n\r\n<strong>Fascist</strong>: Feature Film Short. Director, Jürgen Brünning; DP, James Carman. <strong><em>First prize Berlin Video Festival.</em></strong>\r\n\r\n<strong>Blood: </strong>Feature Film Short. Director, Jürgen Brünning; DP, James Carman. A young woman is addicted.\r\n\r\n<strong>The Last Picture: </strong>Feature Film Short. Director, Bulent Akinci; DP, James Carman. About a nude man’s surreal journey. <strong><em>Critics Prize Oberhausen Film Festival.</em></strong>\r\n\r\n<strong>Open Light</strong>: Feature Film Short. Producer/Director, James Carman. An artistic exploration into freedom after facing a nervous breakdown. <strong><em>Award for Artistic Merit, Berlin Interfilm Festival.</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n<h3>1994</h3>\r\n<strong>The Last Baron</strong>: Writer. Film treatment written for <strong><em>Lars Van Trier</em></strong> and the Coproduction Office about Baron von Ungern-Sternberg who was the last Romanov general.\r\n\r\n&nbsp;\r\n<h3>1993</h3>\r\n<strong>Think Tank:</strong> Feature Film Short. Producer/Director, James Carman. <strong><em>Locarno Film Festival Premiere. </em></strong>A product development creative has a nervous breakdown.\r\n\r\n<strong>Mind is the Medium</strong>: Feature Film Short. Producer/Director, James Carman. Mind creates the message.\r\n\r\n<strong>Headstrong</strong>: Writer. A feature length comedy about an advertising agency.\r\n\r\n&nbsp;\r\n<h3>1991</h3>\r\n<strong>Three Thousand Years Gravity</strong>: Feature Film Short. Producer/Director, James Carman; The journey is the path. <strong><em>Berlin Film Festival Premiere, Locarno Film Festival.</em></strong>\r\n\r\n&nbsp;\r\n<h3>1990</h3>\r\n<strong>Claw Your Eye</strong>: Feature Film Short. Producer/Director, James Carman. An exploration into the nature of perception. <strong><em>Berlin Film Festival Premiere,</em></strong> and<strong><em> Sacramento Film Festival Silver Star Award.</em></strong>\r\n\r\n<strong> </strong>\r\n<h3>1988</h3>\r\n<strong>Outsider\'s Overture</strong>: Rock Opera. Composer, James Carman. An opera about societal outsiders. Commissioned and performed for the European Culture Capital Berlin.\r\n\r\n&nbsp;\r\n<h3>1985</h3>\r\n<strong>El Tunel</strong>: Director and Composer, James Carman. Experimental video art. Shown at the Austin and Kansas City Electronic Music Festivals.\r\n\r\n<strong>Empty Every Night</strong>: Director and Composer. The secrets of life are repeated every night.\r\n\r\n&nbsp;\r\n<h3><strong><span style=\"text-decoration: underline;\">EDUCATION</span></strong></h3>\r\nBA from the University of Texas\r\n\r\nMasters studies in film, San Francisco State University\r\n\r\nGuest Filmmaker at the German Film Academy Berlin\r\n\r\n&nbsp;\r\n<h3><strong><span style=\"text-decoration: underline;\">SKILLS</span></strong></h3>\r\n<strong>Languages:</strong> English, German and Spanish fluency\r\n\r\n<strong>Technical:</strong> All Cameras, Photography, Set Lighting, FCP 7, FCPX, Adobe Premiere, Photoshop\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<h3><strong><span style=\"text-decoration: underline;\">AFFILIATIONS</span></strong></h3>\r\nPGA; The Producers Guild of America\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'About James', '', 'inherit', 'closed', 'closed', '', '130-revision-v1', '', '', '2016-02-27 13:50:57', '2016-02-27 18:50:57', '', 130, 'http://jamescarman.website/2016/02/27/130-revision-v1/', 0, 'revision', '', 0),
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(527, 1, '2016-02-27 13:55:23', '2016-02-27 18:55:23', 'The Museum of Modern Art is having a retrospective of Bruce LaBruce\'s oeuvre. The five feature films where James collaborated with Bruce as his cinematographer will play at the MOMA during the <a href=\"https://www.moma.org/visit/calendar/films/1566\" target=\"_blank\">Bruce LaBruce retrospective</a> starting on April 23rd.\r\n\r\nThe film showtimes are:\r\n\r\n&nbsp;\r\n\r\n<strong>Hustler White </strong>\r\n\r\n<strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23555\">Monday, April 27, 2015, 8:00 p.m., Theater 1, T1 (Introduction and post-screening discussion with Bruce La Bruce)</a></strong>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23558\">Tuesday, April 28, 2015, 4:00 p.m., Theater 1, T1</a></strong></div>\r\n<div class=\"occurrence\"></div>\r\n<div class=\"occurrence\"></div>\r\n&nbsp;\r\n\r\n<strong>Skin Flic</strong>\r\n\r\n<strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23563\">Friday, May 1, 2015, 7:00 p.m., Theater 2, T2 </a></strong>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23565\">Saturday, May 2, 2015, 1:30 p.m., Theater 2, T2</a></strong></div>\r\n<div class=\"occurrence\"></div>\r\n<div class=\"occurrence\"></div>\r\n&nbsp;\r\n\r\n<strong>The Raspberry Reich</strong>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23557\">Tuesday, April 28, 2015, 7:00 p.m., Theater 2, T2 (Introduction and post-screening discussion with Bruce La Bruce)</a></strong></div>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23559\">Saturday, May 2, 2015, 7:30 p.m., Theater 2, T2</a></strong></div>\r\n<div class=\"occurrence\"></div>\r\n<div class=\"occurrence\"></div>\r\n&nbsp;\r\n\r\n<strong>Otto; Or Up with Dead People</strong>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23560\">Wednesday, April 29, 2015, 4:00 p.m., Theater 2, T2 </a></strong></div>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23561\">Thursday, April 30, 2015, 7:00 p.m., Theater 2, T2 (Introduced By Bruce Benderson. Post-screening discussion with Bruce LaBruce)</a></strong></div>\r\n<div class=\"occurrence\"></div>\r\n<div class=\"occurrence\"></div>\r\n&nbsp;\r\n\r\n<strong>LA Zombie</strong>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23562\">Wednesday, April 29, 2015, 7:00 p.m., Theater 2, T2 </a></strong></div>\r\n<div class=\"occurrence\"><strong><a href=\"https://www.moma.org/visit/calendar/film_screenings/23564\">Thursday, April 30, 2015, 4:00 p.m., Theater 2, T2 (Introduction and post-screening discussion with Bruce La Bruce)</a></strong></div>\r\n&nbsp;\r\n\r\nPlease check them out!\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'Five films James lensed will play at the MOMA / Bruce La Bruce Retrospective', '', 'inherit', 'closed', 'closed', '', '107-revision-v1', '', '', '2016-02-27 13:55:23', '2016-02-27 18:55:23', '', 107, 'http://jamescarman.website/2016/02/27/107-revision-v1/', 0, 'revision', '', 0),
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(4, 'Menu 1', 'menu-1', 0);

-- --------------------------------------------------------

--
-- Table structure for table `wp_term_relationships`
--

CREATE TABLE `wp_term_relationships` (
  `object_id` bigint UNSIGNED NOT NULL DEFAULT '0',
  `term_taxonomy_id` bigint UNSIGNED NOT NULL DEFAULT '0',
  `term_order` int NOT NULL DEFAULT '0'
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_ci;

--
-- Dumping data for table `wp_term_relationships`
--

INSERT INTO `wp_term_relationships` (`object_id`, `term_taxonomy_id`, `term_order`) VALUES
(501, 4, 0),
(107, 3, 0),
(512, 4, 0),
(510, 4, 0),
(517, 4, 0),
(519, 4, 0);

-- --------------------------------------------------------

--
-- Table structure for table `wp_term_taxonomy`
--

CREATE TABLE `wp_term_taxonomy` (
  `term_taxonomy_id` bigint UNSIGNED NOT NULL,
  `term_id` bigint UNSIGNED NOT NULL DEFAULT '0',
  `taxonomy` varchar(32) CHARACTER SET utf8mb4 COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '',
  `description` longtext CHARACTER SET utf8mb4 COLLATE utf8mb4_unicode_ci NOT NULL,
  `parent` bigint UNSIGNED NOT NULL DEFAULT '0',
  `count` bigint NOT NULL DEFAULT '0'
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_ci;

--
-- Dumping data for table `wp_term_taxonomy`
--

INSERT INTO `wp_term_taxonomy` (`term_taxonomy_id`, `term_id`, `taxonomy`, `description`, `parent`, `count`) VALUES
(1, 1, 'category', '', 0, 0),
(2, 2, 'category', '', 0, 0),
(3, 3, 'category', '', 0, 1),
(4, 4, 'nav_menu', '', 0, 5);

-- --------------------------------------------------------

--
-- Table structure for table `wp_usermeta`
--

CREATE TABLE `wp_usermeta` (
  `umeta_id` bigint UNSIGNED NOT NULL,
  `user_id` bigint UNSIGNED NOT NULL DEFAULT '0',
  `meta_key` varchar(255) CHARACTER SET utf8mb4 COLLATE utf8mb4_unicode_ci DEFAULT NULL,
  `meta_value` longtext CHARACTER SET utf8mb4 COLLATE utf8mb4_unicode_ci
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_ci;

--
-- Dumping data for table `wp_usermeta`
--

INSERT INTO `wp_usermeta` (`umeta_id`, `user_id`, `meta_key`, `meta_value`) VALUES
(1, 1, 'nickname', 'andrew'),
(2, 1, 'first_name', ''),
(3, 1, 'last_name', ''),
(4, 1, 'description', ''),
(5, 1, 'rich_editing', 'true'),
(6, 1, 'comment_shortcuts', 'false'),
(7, 1, 'admin_color', 'fresh'),
(8, 1, 'use_ssl', '0'),
(9, 1, 'show_admin_bar_front', 'true'),
(10, 1, 'wp_capabilities', 'a:1:{s:13:\"administrator\";b:1;}'),
(11, 1, 'wp_user_level', '10'),
(12, 1, 'dismissed_wp_pointers', 'msp_1_4_3__25samples,master_1_0_view_help'),
(13, 1, 'show_welcome_panel', '1'),
(15, 1, 'wp_dashboard_quick_press_last_post_id', '3'),
(16, 2, 'nickname', 'saintJCadmin'),
(17, 2, 'first_name', 'James'),
(18, 2, 'last_name', 'Carman'),
(19, 2, 'description', ''),
(20, 2, 'rich_editing', 'true'),
(21, 2, 'comment_shortcuts', 'false'),
(22, 2, 'admin_color', 'fresh'),
(23, 2, 'use_ssl', '0'),
(24, 2, 'show_admin_bar_front', 'true'),
(25, 2, 'wp_capabilities', 'a:1:{s:13:\"administrator\";b:1;}'),
(26, 2, 'wp_user_level', '10'),
(27, 2, 'dismissed_wp_pointers', ''),
(28, 1, 'wporg_favorites', ''),
(29, 1, 'tgmpa_dismissed_notice_tgmpa', '1'),
(30, 1, 'wp_user-settings', 'libraryContent=browse&advImgDetails=show&align=center&editor=tinymce'),
(31, 1, 'wp_user-settings-time', '1456876268'),
(32, 1, 'managenav-menuscolumnshidden', 'a:5:{i:0;s:11:\"link-target\";i:1;s:11:\"css-classes\";i:2;s:3:\"xfn\";i:3;s:11:\"description\";i:4;s:15:\"title-attribute\";}'),
(33, 1, 'metaboxhidden_nav-menus', 'a:7:{i:0;s:23:\"add-post-type-portfolio\";i:1;s:22:\"add-post-type-services\";i:2;s:18:\"add-post-type-team\";i:3;s:20:\"add-post-type-quotes\";i:4;s:21:\"add-post-type-clients\";i:5;s:12:\"add-post_tag\";i:6;s:16:\"add-project-type\";}'),
(35, 1, 'session_tokens', 'a:1:{s:64:\"12ce35b43aba10e8fbc8df40a65bfb9feb7a1e71f8a52cafdff606296fa190f8\";a:4:{s:10:\"expiration\";i:1457283802;s:2:\"ip\";s:13:\"81.103.158.75\";s:2:\"ua\";s:109:\"Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/48.0.2564.116 Safari/537.36\";s:5:\"login\";i:1457111002;}}'),
(34, 1, 'nav_menu_recently_edited', '4');

-- --------------------------------------------------------

--
-- Table structure for table `wp_users`
--

CREATE TABLE `wp_users` (
  `ID` bigint UNSIGNED NOT NULL,
  `user_login` varchar(60) CHARACTER SET utf8mb4 COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '',
  `user_pass` varchar(255) CHARACTER SET utf8mb4 COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '',
  `user_nicename` varchar(50) CHARACTER SET utf8mb4 COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '',
  `user_email` varchar(100) CHARACTER SET utf8mb4 COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '',
  `user_url` varchar(100) CHARACTER SET utf8mb4 COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '',
  `user_registered` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `user_activation_key` varchar(255) CHARACTER SET utf8mb4 COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT '',
  `user_status` int NOT NULL DEFAULT '0',
  `display_name` varchar(250) CHARACTER SET utf8mb4 COLLATE utf8mb4_unicode_ci NOT NULL DEFAULT ''
) ENGINE=MyISAM DEFAULT CHARSET=utf8mb4 COLLATE=utf8mb4_unicode_ci;

--
-- Dumping data for table `wp_users`
--

INSERT INTO `wp_users` (`ID`, `user_login`, `user_pass`, `user_nicename`, `user_email`, `user_url`, `user_registered`, `user_activation_key`, `user_status`, `display_name`) VALUES
(1, 'andrew', '$P$BWEa/mYrS9R3j9BhK/qjoxAAT5zZrE0', 'andrew', 'barbadox@gmail.com', '', '2016-02-27 13:52:10', '', 0, 'andrew'),
(2, 'saintJCadmin', '$P$BjjiJBr0clj7NR1xjQdHJnh010Ckzj.', 'saintjcadmin', 'timetravelerarts@gmail.com', '', '2016-02-27 17:43:01', '', 0, 'James Carman');

--
-- Indexes for dumped tables
--

--
-- Indexes for table `wp_commentmeta`
--
ALTER TABLE `wp_commentmeta`
  ADD PRIMARY KEY (`meta_id`),
  ADD KEY `comment_id` (`comment_id`),
  ADD KEY `meta_key` (`meta_key`(191));

--
-- Indexes for table `wp_comments`
--
ALTER TABLE `wp_comments`
  ADD PRIMARY KEY (`comment_ID`),
  ADD KEY `comment_post_ID` (`comment_post_ID`),
  ADD KEY `comment_approved_date_gmt` (`comment_approved`,`comment_date_gmt`),
  ADD KEY `comment_date_gmt` (`comment_date_gmt`),
  ADD KEY `comment_parent` (`comment_parent`),
  ADD KEY `comment_author_email` (`comment_author_email`(10));

--
-- Indexes for table `wp_links`
--
ALTER TABLE `wp_links`
  ADD PRIMARY KEY (`link_id`),
  ADD KEY `link_visible` (`link_visible`);

--
-- Indexes for table `wp_masterslider_options`
--
ALTER TABLE `wp_masterslider_options`
  ADD PRIMARY KEY (`ID`),
  ADD UNIQUE KEY `option_name` (`option_name`);

--
-- Indexes for table `wp_masterslider_sliders`
--
ALTER TABLE `wp_masterslider_sliders`
  ADD PRIMARY KEY (`ID`),
  ADD KEY `date_created` (`date_created`);

--
-- Indexes for table `wp_options`
--
ALTER TABLE `wp_options`
  ADD PRIMARY KEY (`option_id`),
  ADD UNIQUE KEY `option_name` (`option_name`);

--
-- Indexes for table `wp_postmeta`
--
ALTER TABLE `wp_postmeta`
  ADD PRIMARY KEY (`meta_id`),
  ADD KEY `post_id` (`post_id`),
  ADD KEY `meta_key` (`meta_key`(191));

--
-- Indexes for table `wp_posts`
--
ALTER TABLE `wp_posts`
  ADD PRIMARY KEY (`ID`),
  ADD KEY `post_name` (`post_name`(191)),
  ADD KEY `type_status_date` (`post_type`,`post_status`,`post_date`,`ID`),
  ADD KEY `post_parent` (`post_parent`),
  ADD KEY `post_author` (`post_author`);

--
-- Indexes for table `wp_termmeta`
--
ALTER TABLE `wp_termmeta`
  ADD PRIMARY KEY (`meta_id`),
  ADD KEY `term_id` (`term_id`),
  ADD KEY `meta_key` (`meta_key`(191));

--
-- Indexes for table `wp_terms`
--
ALTER TABLE `wp_terms`
  ADD PRIMARY KEY (`term_id`),
  ADD KEY `slug` (`slug`(191)),
  ADD KEY `name` (`name`(191));

--
-- Indexes for table `wp_term_relationships`
--
ALTER TABLE `wp_term_relationships`
  ADD PRIMARY KEY (`object_id`,`term_taxonomy_id`),
  ADD KEY `term_taxonomy_id` (`term_taxonomy_id`);

--
-- Indexes for table `wp_term_taxonomy`
--
ALTER TABLE `wp_term_taxonomy`
  ADD PRIMARY KEY (`term_taxonomy_id`),
  ADD UNIQUE KEY `term_id_taxonomy` (`term_id`,`taxonomy`),
  ADD KEY `taxonomy` (`taxonomy`);

--
-- Indexes for table `wp_usermeta`
--
ALTER TABLE `wp_usermeta`
  ADD PRIMARY KEY (`umeta_id`),
  ADD KEY `user_id` (`user_id`),
  ADD KEY `meta_key` (`meta_key`(191));

--
-- Indexes for table `wp_users`
--
ALTER TABLE `wp_users`
  ADD PRIMARY KEY (`ID`),
  ADD KEY `user_login_key` (`user_login`),
  ADD KEY `user_nicename` (`user_nicename`);

--
-- AUTO_INCREMENT for dumped tables
--

--
-- AUTO_INCREMENT for table `wp_commentmeta`
--
ALTER TABLE `wp_commentmeta`
  MODIFY `meta_id` bigint UNSIGNED NOT NULL AUTO_INCREMENT;

--
-- AUTO_INCREMENT for table `wp_comments`
--
ALTER TABLE `wp_comments`
  MODIFY `comment_ID` bigint UNSIGNED NOT NULL AUTO_INCREMENT, AUTO_INCREMENT=3;

--
-- AUTO_INCREMENT for table `wp_links`
--
ALTER TABLE `wp_links`
  MODIFY `link_id` bigint UNSIGNED NOT NULL AUTO_INCREMENT;

--
-- AUTO_INCREMENT for table `wp_masterslider_options`
--
ALTER TABLE `wp_masterslider_options`
  MODIFY `ID` smallint UNSIGNED NOT NULL AUTO_INCREMENT, AUTO_INCREMENT=6;

--
-- AUTO_INCREMENT for table `wp_masterslider_sliders`
--
ALTER TABLE `wp_masterslider_sliders`
  MODIFY `ID` mediumint UNSIGNED NOT NULL AUTO_INCREMENT, AUTO_INCREMENT=3;

--
-- AUTO_INCREMENT for table `wp_options`
--
ALTER TABLE `wp_options`
  MODIFY `option_id` bigint UNSIGNED NOT NULL AUTO_INCREMENT, AUTO_INCREMENT=54430;

--
-- AUTO_INCREMENT for table `wp_postmeta`
--
ALTER TABLE `wp_postmeta`
  MODIFY `meta_id` bigint UNSIGNED NOT NULL AUTO_INCREMENT, AUTO_INCREMENT=395;

--
-- AUTO_INCREMENT for table `wp_posts`
--
ALTER TABLE `wp_posts`
  MODIFY `ID` bigint UNSIGNED NOT NULL AUTO_INCREMENT, AUTO_INCREMENT=562;

--
-- AUTO_INCREMENT for table `wp_termmeta`
--
ALTER TABLE `wp_termmeta`
  MODIFY `meta_id` bigint UNSIGNED NOT NULL AUTO_INCREMENT;

--
-- AUTO_INCREMENT for table `wp_terms`
--
ALTER TABLE `wp_terms`
  MODIFY `term_id` bigint UNSIGNED NOT NULL AUTO_INCREMENT, AUTO_INCREMENT=5;

--
-- AUTO_INCREMENT for table `wp_term_taxonomy`
--
ALTER TABLE `wp_term_taxonomy`
  MODIFY `term_taxonomy_id` bigint UNSIGNED NOT NULL AUTO_INCREMENT, AUTO_INCREMENT=5;

--
-- AUTO_INCREMENT for table `wp_usermeta`
--
ALTER TABLE `wp_usermeta`
  MODIFY `umeta_id` bigint UNSIGNED NOT NULL AUTO_INCREMENT, AUTO_INCREMENT=36;

--
-- AUTO_INCREMENT for table `wp_users`
--
ALTER TABLE `wp_users`
  MODIFY `ID` bigint UNSIGNED NOT NULL AUTO_INCREMENT, AUTO_INCREMENT=3;
COMMIT;

